The Strand Magazine, Vol. 07, Issue 39, March 1894: An Illustrated MonthlyVarious
General
The Strand Magazine, Vol. 07, Issue 39, March 1894: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
It is not necessary to say that the interior of Vernon Holme is
in every way worthy of its owner. The land on which it stands was
originally a hop ground, and Mr. Cooper tells with great gusto that
whilst the people were picking the hops his men were getting the ground
ready for the foundation of the house. The house was built from Mr.
Cooper's own designs. The hall, of solid oak, is very fine and massive,
and the carving about the ceiling and staircases exquisite. The bosses
on the ceiling were cut from Nature's models of hops and wild flowers.
The antlers over the doors were a present from Sir Edwin Landseer,
and are reminiscences of deer shot by him in Scotland. The engravings
comprise proofs after Sir Edwin and Tom Landseer, and Leslie's
"Coronation of Queen Victoria."
"There is a little story," said Mr. Cooper, "as to how I came into
possession of that engraving--a very rare one--of Tom Landseer's. I
painted a little picture for him, and Tom liked it. So it was agreed
that I should have some of his proofs in exchange for it. He was very
deaf, and he wrote on a piece of paper: 'There's my portfolio; choose
one, and I'll sign it.' I did so.
"'Why,' he exclaimed, 'you have chosen the one I put aside for myself.'
"I had selected the 'Deer and Dog in the Snow.'"
[Illustration: THE ENTRANCE HALL.
_From a Photo. by Elliott & Fry._]
Only three pictures by Mr. Cooper hang in the hall proper. These
are over the mantelpiece. One of these is peculiarly interesting--a
group of three sheep, a calf, and a cow, painted three years ago. The
work was the result of a dream. The Royal Academician dreamt he was
painting this very scene. In the morning he got up and chronicled it
on canvas. Ascending the grand old staircase, a huge space is taken up
by "Separated, but not Divorced," painted in 1875, and is a study of a
magnificent short-horn bull, "Charlie" by name. It was exhibited, but
proved too big to sell. Just by the bull's foreleg is a raven pecking
at a bone. The artist was asked why he put it there.
"Oh!" he replied, "I wanted a little bit of relieving black and white.
Besides, if there is a Crown case over it, it will typify the lawyers
picking at the bones."
Public-domain text, read in full here on John Shaqi.
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