The Strand Magazine, Vol. 07, Issue 41, May, 1894: An Illustrated MonthlyVarious
General
The Strand Magazine, Vol. 07, Issue 41, May, 1894: An Illustrated Monthly
Various
English literature -- Periodicals; Short stories, English -- Periodicals
THE MODERN MATHEWS (_merrily, for he revels in talking about his
favourite character_): Ah! "Davy"! I produced "Davy" in '86. I was
about to produce a farcical comedy, and, as a matter of fact, had got
within two days of the advertised first night--indeed, it came to
within forty-eight hours of the time--when I became convinced that it
was no use. On the Friday I frankly issued an announcement stating that
I had no confidence in the piece. It was a toss-up between "Brighton"
and "Wild Oats." Eventual decision--"Wild Oats." A great success--Miss
Mary Moore and David James secured a big triumph.
INTERVIEWER: And yourself?
THE MODERN MATHEWS: Well, I played _Rover_. Up to this moment I had
made up my mind never to play any part of Sotheran's or Charles
Mathews', and when Mr. Calmour suggested my playing "David Garrick," I
told him this. Others suggested "Davy," too, and finally Clement Scott,
one night at supper, talked me into it. I was very nervous of "D.G." on
the first night, because I had altered the intention of the dramatist
in the second act by taking it more seriously. At one time I began
to rehearse it with all the nonsense out of it, but finally decided
to curtail the original "business" so as not to disappoint lovers of
the old version. It ran from November, 1886, to August, 1887. I have
revived it every year since, and so far as paying business goes, "Pink
Dominos" is not in it. Ah! here we are. Come into my cabin.
[Illustration: MR. WYNDHAM AS "DAVID GARRICK."
_From a Photo by Barraud, London._]
_Brougham stops at theatre._ THE MODERN MATHEWS _and_ INTERVIEWER
_ascend a somewhat steep flight of stairs leading to_--
SCENE VI.--_A cabin. It is really an apartment fitted up exactly like
a cabin on a wealthy man's yacht. Not a detail is missing. Even the
portholes are there, and you peep out on to a sea of carriages, cabs,
vans, and pedestrians. Luxuriously furnished. Table centre: papers
scattered about, designs and estimates for scenes--one at a trifle
above £1,000--huge pile of letters._
THE MODERN MATHEWS (_very busy--here, there, and everywhere_): Excuse
me--M.L.! No, no--not my life--finished with that; my letters! (_Opens
one--reads._) Look at that. (_Hands letter._) Fellow wants two for the
dress circle. Has no claim on the theatre save his "great love for
the drama!" (_Opens another letter._) Ah! nicely scented envelope.
(_Reads_): "Dear sir, will you send us two seats for the matinée on
Saturday? A gentleman friend told us you _always_ give seats away. We
want to come to the afternoon performance, because ma hates theatres,
and won't let us go if she can help it!"
INTERVIEWER: Encouraging!
THE MODERN MATHEWS: D.C., my boy, D.C.!
INTERVIEWER: So you're going to send them?
THE MODERN MATHEWS: Send what?
INTERVIEWER: The seats--D.C.--dress circle?
Public-domain text, read in full here on John Shaqi.
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