The Strand Magazine, Vol. 17, February 1899, No. 98.Various
General
The Strand Magazine, Vol. 17, February 1899, No. 98.
Various
English literature -- Periodicals; Short stories, English -- Periodicals
The oddly-marked caterpillar of the Puss Moth carries the same plan of
campaign to a much more artistic pitch. This very quaint insect is
common on willows and poplars in England, and is on the whole
protectively coloured. Black at first, it looks like a mere speck or
spot on the leaf; as it grows, it becomes gradually greener, relieved
with broad purple patches on the back, which produce the effect of lines
and shadows. When quite full-grown, as seen in No. 7, the adult
caterpillar generally rests at ease on the twigs of the willow-tree. Our
illustration shows it in this final stage of its larval life, just
taking alarm and humping its back at the approach of some bird or other
enemy. If the alarm continues, it goes through a most curious series of
evolutions, admirably shown by Mr. Enock in No. 8. Here, the little
beast is altogether on the defensive: it withdraws its head into the
first ring of the body, and inflates the margin, which is bright red in
colour. Two black spots, which are not really eyes, but which look
absurdly eye-like, now give it a grotesque and terrifying appearance. In
fact, the inflated ring resembles a hideous grinning mask, and gives the
impression of a face with eyes, nose, and mouth, like that of some
uncanny creeping creature. But the apparent face is not a face at all:
it is artfully made up of lines and spots on the skin of the body. At
the same time that the caterpillar thus assumes its mask, it stands on
its eight hind legs as erect as it can, and whips out two pink bristles
or tentacles from the forked prongs at the end of its tail--you can see
them in the picture. It then bends forward the tail, and brandishes or
waves about these pink bristles over its false head, so as to present
altogether a most gruesome aspect. Indeed, even Mr. Enock's vigorous
sketch of the little brute in its tragic moments does not quite convey
the full effect of its acting in the absence of colour: for the bright
red margin and the swishing pink switches add not a little to the
telling smirk and black goggle-eyes of the mask-like face thus produced
_in terrorem_.
[Illustration: 7.--CATERPILLAR OF THE PUSS MOTH PREPARING FOR ACTION.]
Public-domain text, read in full here on John Shaqi.
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