The Strand Magazine, Vol. 27, February 1904, No. 159.Various
General
The Strand Magazine, Vol. 27, February 1904, No. 159.
Various
English literature -- Periodicals; Short stories, English -- Periodicals
The more particular object of this article is to describe some of the
various styles of Parliamentary speakers, and to give a pictorial
presentment of short passages from the speeches of members who
participate frequently in the debates, showing the approximate pitch
and modulation of the voices. For the latter purpose nearly two hundred
different speeches were "sampled."
Anyone familiar with the theories and principles of speech sounds knows
that it is an impossibility to render accurately the multitude of
sounds occurring in even a short typical passage. Different plans for
writing speech sounds have been tried with varying success. Any system
aiming at scientific accuracy implies a degree of minute analysis which
is impracticable in an endeavour to procure an estimate of the pitch
and average inflection of numerous voices heard at some distance, and
under conditions not favourable to close scrutiny. In speech a single
syllable may traverse half an octave, a semitone, or a fraction of a
semitone, and it may be jerked out in separate tones, or undulate in
portamento. There is usually, however, a prime sound, which may be more
prominent and longer sustained than the other sounds that go to round
off the syllable. With a succession of those prime sounds, which, for
convenience, may be called notes, it is possible to give a rough notion
(which is all that is claimed here) of how a speaker's voice rises and
falls in the hearing of an ordinary listener.
Each of the samples represents an average bit of speaking. The notes
given must not be taken literally. If the speaking tone, for instance,
was somewhere about D, and descended to somewhere about A, those notes
D and A would be near enough for the purpose of these observations.
True musical intervals are out of the question, but the accompanying
diagrams have been written on the bass clef in the natural key, this
being the most simple and direct way of showing roughly the variation
as between different speakers, and the prevailing pitch, as nearly as
it has been possible to discover them.
Public-domain text, read in full here on John Shaqi.
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