Its tenant evidently was of artistic leanings for about the room were several large bronze candle-sticks filled with partially burned tapers. A low bookcase extended along two sides of the room, each shelf filled, and at the end of the cases a heavy imported drapery drawn slightly aside revealed the entrance to a sleeping apartment, the bed's snowy covering unruffled. Wealth, taste and comfort were everywhere manifest. Yet, as the light lengthened, the surroundings evidenced disorder. One chair lay overturned, a porcelain vase had fallen from off the table-top to the floor and scattered into fragments. A few magazines had fallen also, and there were miscellaneous papers scattered about the carpet, one or two of them torn as though jerked open by an impatient hand. Still others lying near the table disclosed corners charred by fire, and as an eddy of wind whisked through the window and along the floor it tumbled brown ashes along with it, at the same time diluting the faint odour of smoke that clung to the room. Back of the table a small safe embedded in the wall stood with its door wide open, its inner drawer splintered as with a knife blade and hanging half out, and below it a riffle of papers, many of them apparently legal documents. But the one object across which the golden beams of light fell as though in soft caress was the motionless figure of a man lying upon his back beside the table near the drapeless window. Across his face and shoulders were the charred remains of what undoubtedly had been curtains on that window. A three-socketed candle-stick filled with partially burned candles which doubtless had been knocked from the table was mute evidence of how the tiny flame had started upon its short march. As to the man's injuries, a blow from behind had evidently crushed his skull and, though the face was seared and burned, though the curtain's partial ashes covered more than a half of it, though the eye-lashes above the sightless eyes were singed and the trim beard burned to black stubs, the face gave mute evidence of being that of Frederick Cavendish. In this grim scene a tiny clock on the mantel began pealing the hour of eight. As though this were a signal for entrance, the door at the end of the bookcase opened noiselessly and a man, smooth faced, his hair brushed low across his forehead, stepped quietly in. As his eyes surveyed the grewsome object by the table, they dilated with horror; then his whole body stiffened and he fled back into the hall, crashing the door behind him. Ten minutes later he returned, not alone, however. This time his companion was John Cavendish but partially dressed, his features white and haggard. With nervous hands he pushed open the door. At the sight of the body he trembled a moment, then, mastering himself, strode over and touched the dead face, the other meanwhile edging into the room. "Dead, sir, really _dead_?" the late comer asked.