The additional wooden spire, and the inequality of the towers produce rather an unfavourable effect. During the revolution, this august edifice was converted into a sulphur and gunpowder manufactory, by which impious prostitution, the pillars are defaced, and broken, and the whole is blackened, and dingy. The costly cenotaphs of white marble, enriched with valuable ornaments containing the hearts of our Henry III, and Richard I, kings of England, and dukes of Normandy, which were formerly placed on each side of the grand altarpiece, were removed during the revolution. The altarpiece is very fine. Grand preparations were making for the inauguration of the archbishop, which was to take place the following Sunday. There were not many people at mass; those who were present, appeared to be chiefly composed of old women, and young children. Over the charity box fastened to one of the pillars was a board upon which was written in large letters "Hospices reconnoissance et prosperite a l'homme genereux et sensible." I saw few people affected by this benedictory appeal. I next visited the church of St. Ouens, which is not so large as the cathedral, but surpasses that, and every other sacred edifice I ever beheld, in point of elegance. This graceful pile, has also had its share of sufferings, during the reign of revolutionary barbarism. Its chaste, and elegant pillars, have been violated by the smoke of sulphur and wood; and in many places, present to the distressed eye, chasms, produced by massy forges, which were erected against them, for casting ball. The costly railing of brass, gilt, which half surrounded the altar, has been torn up, and melted into cannon. The large circular stained window over the entrance called La Rose du Portail is very beautiful, and wholly unimpaired. The organs in all the churches are broken and useless. They experienced this fate, in consequence of their having been considered as fanatical instruments during the time of terrour. The fine organ of St. Ouens is in this predicament, and will require much cost to repair it[6]. [6] The ornaments of the churches of England experienced a similar fate from the commissioners of the Long Parliament, in 1643. I cannot help admiring the good sense which in all the churches of France is displayed, by placing the organ upon a gallery over the grand entrance, by which the spectator has an uninterrupted view, and commands the whole length of the interior building. In the English cathedrals, it is always placed midway between the choir and church, by which, this desired effect is lost.--St. Ouens is now open for worship. In spite of all the devastations of atheistic Vandalism, this exquisite building, like the holy cause to which it is consecrated, having withstood the assailing storm, and elevating its meek, but magnificent head above its enemies, is mildly ready to receive them into her bosom, still disfigured with the traces of blind and barbarous ferocity.