The Stranger in Shrewsbury: or, an historical and descriptive view of Shrewsbury and its environs — John Shaqi
The Stranger in Shrewsbury: or, an historical and descriptive view of Shrewsbury and its environsHowell, Thomas J.
History
The Stranger in Shrewsbury: or, an historical and descriptive view of Shrewsbury and its environs
Howell, Thomas J.
Shrewsbury (England) -- Description and travel
The walls of the nave are supported on each side by four semicircular
arches, with moulding peculiar to the pointed style, and these spring
from finely clustered pillars, their shafts having the small flat rib
which belongs to the 13th century. The capitals are highly enriched with
foliage, and, as is usual in ancient churches, are all of different
designs. Above the arches is a clere-story, with a high range of short
windows on both sides, running the whole length of the church. These are
irregularly ranged in couplets, and have heads very obtusely pointed,
each divided by a single mullion. The ceiling of the nave, which is of
oak, rises into an extremely flat arch, separated by its principal beams
into square pannels, including circles richly adorned with quatrefoils
and foliage. The ribs and bosses at their intersections, are carved,
with double roses, devices and knots; those attached to the centre beam
having pendant ornaments, pelicans, angels with musical instruments, and
grotesque sculptures. The chancel is considerably elevated by two
ascents of steps. On each side is a pointed arch, blocked up, resting
upon imposts similar to the clustered pillars in the nave. Several
— marble monuments are here displayed
Upon the walls: and on the floor beneath
Sepulchral stones appear, with emblems graven
And foot-worn epitaphs, and some with small
And shining effigies of brass inlaid,
belonging to the Lyster, Morhall, Lloyd, Gardner, and Sandford families.
On the north side, near the altar, is a beautiful triple window, with
arches remarkably sharp pointed, the centre rising much higher than those
of each side and supported upon slender insulated columns, whose capitals
are adorned with foliage, busts, and grotesque heads. The ceiling of oak
pannelling, was in this part quite plain. The interstices between the
beams have been plastered over and painted with trefoil and other
appropriate enrichments, and the intersections adorned with carved roses
and devices, collected from the ruins of St. Chad’s and St. Alkmond’s.
In the chancel, is an altar tomb, upon which is a recumbent figure of a
cross legged knight, in linked armour, the sides adorned with rich
foliated niches, once containing figures. This monument is supposed to
belong to John de Leyborne, of Berwick Leyborne, last of the family. In
the vestry, under a low pointed arch, is a plain altar tomb, which has
formerly been ornamented with shields; on the massy alabaster slab which
covers it, are engraven the figures of a man in armour, bareheaded, with
his wife, both in the act of prayer. From the inscription which is
somewhat defaced, we learn, that it was erected to — Stafford and
Catherine his wife, in 1463. In the transept and nave there are some
singular monumental figures, brought here from the ruins of St. Chad’s
and St. Alkmond’s, but to whom they belonged has not been ascertained.
Public-domain text, read in full here on John Shaqi.
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