_The woods, the leaves of the trees rich in their autumn colouring,
rise close about this side of the Infirmary. Their branches almost
touch the porch on the right. In the rear of the porch they have
been cleared away from the building for a narrow space, and through
this opening the distant hills can be seen with the tree tops
glowing in the sunlight._
_As the curtain rises,_ Eileen _is discovered lying in the bed on
the porch, propped up into a half-sitting position by pillows under
her back and head. She seems to have grown much thinner. Her face
is pale and drawn, with deep hollows under her cheek-bones. Her
eyes are dull and lustreless. She gazes straight before her into
the wood with the unseeing stare of apathetic indifference. The
door from the hall in the room behind her is opened, and_ Miss
Howard _enters, followed by_ Bill Carmody, Mrs. Brennan, _and_
Mary. Carmody's _manner is unwontedly sober and subdued. This air
of respectable sobriety is further enhanced by a black suit,
glaringly new and stiffly pressed, a new black derby hat, and shoes
polished like a mirror. His expression is full of a bitter, if
suppressed, resentment. His gentility is evidently forced upon him
in spite of himself and correspondingly irksome._ Mrs. Brennan _is
a tall, stout woman of fifty, lusty and loud-voiced, with a broad,
snub-nosed, florid face, a large mouth, the upper lip darkened by a
suggestion of moustache, and little round blue eyes, hard and
restless with a continual fuming irritation. She is got up
regardless in her ridiculous Sunday-best._ Mary _appears tall and
skinny-legged in a starched, outgrown frock. The sweetness of her
face has disappeared, giving way to a hang-dog sullenness, a
stubborn silence, with sulky, furtive glances of rebellion directed
at her step-mother._
MISS HOWARD (_pointing to the porch_). She's out there on the porch.
MRS. BRENNAN (_with dignity_). Thank you, ma'am.
MISS HOWARD (_with a searching glance at the visitors as if to appraise
their intentions_). Eileen's been very sick lately, you know, so be
careful not to worry her about anything. Do your best to cheer her up.
CARMODY (_mournfully_). We'll try to put life in her spirits, God help
her. (_With an uncertain look at_ Mrs. Brennan.) Won't we, Maggie?
MRS. BRENNAN (_turning sharply on_ Mary, _who has gone over to examine
the things on the bureau_). Come away from that, Mary. Curiosity killed
a cat. Don't be touchin' her things. Remember what I told you. Or is it
admirin' your mug in the mirror you are? (_Turning to_ Miss Howard _as_
Mary _moves away from the bureau, hanging her head--shortly._) Don't
you worry, ma'am. We won't trouble Eileen at all.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account