Americans -- Austria -- Fiction; Love stories; Vienna (Austria) -- Fiction; Violinists -- Fiction; Young women -- Fiction
He argued the thing over. In the unlikely contingency of the girl's
being willing, was Stewart right--could two people live as cheaply as
one? Marie was an Austrian and knew how to manage--that was different.
And another thing troubled him. He dreaded to disturb the delicate
adjustment of their relationship; the terra incognita of a young
girl's mind daunted him. There was another consideration which he put
resolutely in the back of his mind--his career. He had seen many a
promising one killed by early marriage, men driven to the hack work of
the profession by the scourge of financial necessity. But that was a
matter of the future; the necessity was immediate.
The night was very cold. Gusts of wind from the snow-covered Schneeberg
drove along the streets, making each corner a fortress defended by the
elements, a battlement to be seized, lost, seized again. Peter Byrne
battled valiantly but mechanically. And as he fought he made his
decision.
He acted with characteristic promptness. Possibly, too, he was afraid of
the strength of his own resolution. By morning sanity might prevail, and
in cold daylight he would see the absurdity of his position. He almost
ran up the winding staircase. At the top his cold fingers fumbled the
key and he swore under his breath. He slammed the door behind him. Peter
always slammed doors, and had an apologetic way of opening the door
again and closing it gently, as if to show that he could. Harmony's room
was dark, but he had surprised her once into a confession that when
she was very downhearted she liked to sit in the dark and be very blue
indeed. So he stopped and knocked. There was no reply, but from Dr.
Gates's room across there came a hum of conversation. He knew at once
that Harmony was there.
Peter hardly hesitated. He took off his soft hat and ran a hand over his
hair, and he straightened his tie. These preliminaries to a proposal of
marriage being disposed of, he rapped at the door.
Anna Gates opened it. She wore a hideous red-flannel wrapper, and in
deference to Harmony a thimble. Her flat breast was stuck with pins, and
pinkish threads revealed the fact that the bathrobe was still under way.
“Peter!” she cried. “Come in and get warm.”
Harmony, in the blue kimono, gave a little gasp, and flung round her
shoulders the mass of pink on which she had been working.
“Please go out!” she said. “I am not dressed.”
“You are covered,” returned Anna Gates. “That's all that any sort of
clothing can do. Don't mind her, Peter, and sit on the bed. Look out for
pins!”
Peter, however, did not sit down. He stood just inside the closed door
and stared at Harmony--Harmony in the red light from the little
open door of the stove; Harmony in blue and pink and a bit of white
petticoat; Harmony with her hair over her shoulders and tied out of her
eyes with an encircling band of rosy flannel.
“Do sit!” cried Anna Gates. “You fill the room so. Bless you, Peter,
what a collar!”
Public-domain text, read in full here on John Shaqi.
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