The Strength of Gideon and Other StoriesDunbar, Paul Laurence
General
The Strength of Gideon and Other Stories
Dunbar, Paul Laurence
African Americans -- Fiction
Gideon had certainly triumphed, and when a little boy baby came to
Cassie two or three days later, she named him Gideon in honor of the
great Hebrew warrior whose story had so wrought upon her. All the
plantation knew the spiritual significance of the name, and from the
day of his birth the child was as one set apart to a holy mission on
earth.
Say what you will of the influences which the circumstances
surrounding birth have upon a child, upon this one at least the effect
was unmistakable. Even as a baby he seemed to realize the weight of
responsibility which had been laid upon his little black shoulders,
and there was a complacent dignity in the very way in which he drew
upon the sweets of his dirty sugar-teat when the maternal breast was
far off bending over the sheaves of the field.
He was a child early destined to sacrifice and self-effacement, and as
he grew older and other youngsters came to fill Cassie's cabin, he
took up his lot with the meekness of an infantile Moses. Like a Moses
he was, too, leading his little flock to the promised land, when he
grew to the age at which, barefooted and one-shifted, he led or
carried his little brothers and sisters about the quarters. But the
"promised land" never took him into the direction of the stables,
where the other pickaninnies worried the horses, or into the region of
the hen-coops, where egg-sucking was a common crime.
No boy ever rolled or tumbled in the dirt with a heartier glee than
did Gideon, but no warrior, not even his illustrious prototype
himself, ever kept sterner discipline in his ranks when his followers
seemed prone to overstep the bounds of right. At a very early age his
shrill voice could be heard calling in admonitory tones, caught from
his mother's very lips, "You 'Nelius, don' you let me ketch you
th'owin' at ol' mis' guinea-hens no mo'; you hyeah me?" or "Hi'am, you
come offen de top er dat shed 'fo' you fall an' brek yo' naik all to
pieces."
It was a common sight in the evening to see him sitting upon the low
rail fence which ran before the quarters, his shift blowing in the
wind, and his black legs lean and bony against the whitewashed rails,
as he swayed to and fro, rocking and singing one of his numerous
brothers to sleep, and always his song was of war and victory, albeit
crooned in a low, soothing voice. Sometimes it was "Turn Back
Pharaoh's Army," at others "Jinin' Gideon's Band." The latter was a
favorite, for he seemed to have a proprietary interest in it,
although, despite the martial inspiration of his name, "Gideon's band"
to him meant an aggregation of people with horns and fiddles.
Public-domain text, read in full here on John Shaqi.
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