The Strength of Gideon and Other StoriesDunbar, Paul Laurence
General
The Strength of Gideon and Other Stories
Dunbar, Paul Laurence
African Americans -- Fiction
Viney, too, seemed inspired by a new hope, and if this little house
had been pleasant to Ben, nothing now was wanting to make it a palace
in his eyes. Only one sorrow he had, and that one wrung hard at his
great heart--no baby came to them--but instead he made a great baby of
his wife, and went on his way hiding his disappointment the best he
could. The banjo was often silent now, for when he came home his
fingers were too stiff to play; but sometimes, when his heart ached
for the laughter of a child, he would take down his old friend and
play low, soothing melodies until he found rest and comfort.
Viney had once tried to console him by saying that had she had a child
it would have taken her away from her work, but he had only answered,
"We could a' stood that."
But Ben's patient work and frugality had their reward, and it was only
a little over three years after he had set out to do it that he put in
his master's hand the price of Viney's freedom, and there was sound of
rejoicing in the land. A fat shoat, honestly come by--for it was the
master's gift--was killed and baked, great jugs of biting persimmon
beer were brought forth, and the quarters held high carnival to
celebrate Viney's new-found liberty.
After the merrymakers had gone, and when the cabin was clear again,
Ben held out the paper that had been on exhibition all evening to
Viney.
"Hyeah, hyeah's de docyment dat meks you yo' own ooman. Tek it."
During all the time that it had been out for show that night the
people had looked upon it with a sort of awe, as if it was possessed
of some sort of miraculous power. Even now Viney did not take hold of
it, but shrunk away with a sort of gasp.
"No, Ben, you keep it. I can't tek keer o' no sich precious thing ez
dat. Put hit in yo' chist."
"Tek hit and feel of hit, anyhow, so's you'll know dat you's free."
She took it gingerly between her thumb and forefinger. Ben suddenly
let go.
"Dah, now," he said; "you keep dat docyment. It's yo's. Keep hit undah
yo' own 'sponsibility."
"No, no, Ben!" she cried. "I jes' can't!"
"You mus'. Dat's de way to git used to bein' free. Whenevah you looks
at yo'se'f an' feels lak you ain' no diff'ent f'om whut you been you
tek dat papah out an' look at hit, an' say to yo'se'f, 'Dat means
freedom.'"
Carefully, reverently, silently Viney put the paper into her bosom.
"Now, de nex' t'ing fu' me to do is to set out to git one dem papahs
fu' myse'f. Hit'll be a long try, 'cause I can't buy mine so cheap as
I got yo's, dough de Lawd knows why a great big ol' hunk lak me should
cos' mo'n a precious mossell lak you."
"Hit's because dey's so much of you, Ben, an' evah bit of you's wo'th
its weight in gol'."
"Heish, chile! Don' put my valy so high, er I'll be twell jedgment day
a-payin' hit off."
PART II
Public-domain text, read in full here on John Shaqi.
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