At that moment Freddie Drummond discontinued his conversation. Nor did
he resume it again, for the situation was developing with the rapidity of
a transformation scene. He heard the roar of the mob at the rear, and
caught a glimpse of the helmeted police and the lurching meat waggons.
At the same moment, laying on his whip, and standing up to his task, the
coal driver rushed horses and waggon squarely in front of the advancing
procession, pulled the horses up sharply, and put on the big brake. Then
he made his lines fast to the brake-handle and sat down with the air of
one who had stopped to stay. The auto had been brought to a stop, too,
by his big panting leaders which had jammed against it.
Before the chauffeur could back clear, an old Irishman, driving a rickety
express waggon and lashing his one horse to a gallop, had locked wheels
with the auto. Drummond recognized both horse and waggon, for he had
driven them often himself. The Irishman was Pat Morrissey. On the other
side a brewery waggon was locking with the coal waggon, and an east-bound
Kearny Street car, wildly clanging its gong, the motorman shouting
defiance at the crossing policeman, was dashing forward to complete the
blockade. And waggon after waggon was locking and blocking and adding to
the confusion. The meat waggons halted. The police were trapped. The
roar at the rear increased as the mob came on to the attack, while the
vanguard of the police charged the obstructing waggons.
“We’re in for it,” Drummond remarked coolly to Catherine.
“Yes,” she nodded, with equal coolness. “What savages they are.”
His admiration for her doubled on itself. She was indeed his sort. He
would have been satisfied with her even if she had screamed, and clung to
him, but this—this was magnificent. She sat in that storm centre as
calmly as if it had been no more than a block of carriages at the opera.
The police were struggling to clear a passage. The driver of the coal
waggon, a big man in shirt sleeves, lighted a pipe and sat smoking. He
glanced down complacently at a captain of police who was raving and
cursing at him, and his only acknowledgment was a shrug of the shoulders.
From the rear arose the rat-rat-tat of clubs on heads and a pandemonium
of cursing, yelling, and shouting. A violent accession of noise
proclaimed that the mob had broken through and was dragging a scab from a
waggon. The police captain reinforced from his vanguard, and the mob at
the rear was repelled. Meanwhile, window after window in the high office
building on the right had been opened, and the class-conscious clerks
were raining a shower of office furniture down on the heads of police and
scabs. Waste-baskets, ink-bottles, paper-weights, type-writers—anything
and everything that came to hand was filling the air.
Public-domain text, read in full here on John Shaqi.
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