From the bridge of the _Tryapsic_, the high place he had gained in the
competition of men, he stared at Dublin harbour opening out, at the town
obscured by the dark sky of the dreary wind-driven day, and at the
tangled tracery of spars and rigging of the harbour shipping. Back from
twice around the world he was, and from interminable junketings up and
down on far stretches, home-coming to the wife he had not seen in
eight-and-twenty months, and to the child he had never seen and that was
already walking and talking. He saw the watch below of stokers and
trimmers bobbing out of the forecastle doors like rabbits from a warren
and making their way aft over the rusty deck to the mustering of the port
doctor. They were Chinese, with expressionless, Sphinx-like faces, and
they walked in peculiar shambling fashion, dragging their feet as if the
clumsy brogans were too heavy for their lean shanks.
He saw them and he did not see them, as he passed his hand beneath his
visored cap and scratched reflectively his mop of sandy hair. For the
scene before him was but the background in his brain for the vision of
peace that was his—a vision that was his often during long nights on the
bridge when the old _Tryapsic_ wallowed on the vexed ocean floor, her
decks awash, her rigging thrumming in the gale gusts or snow squalls or
driving tropic rain. And the vision he saw was of farm and farm-house
and straw-thatched outbuildings, of children playing in the sun, and the
good wife at the door, of lowing kine, and clucking fowls, and the stamp
of horses in the stable, of his father’s farm next to him, with, beyond,
the woodless, rolling land and the hedged fields, neat and orderly,
extending to the crest of the smooth, soft hills. It was his vision and
his dream, his Romance and Adventure, the goal of all his effort, the
high reward for the salt-ploughing and the long, long furrows he ran up
and down the whole world around in his farming of the sea.
Public-domain text, read in full here on John Shaqi.
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