The fine apartments through which I had strayed as a little lad in my father's day, the handsome lofty chambers, with their frescoed ceilings, their walls hung with costly tapestries, many of which had come from the looms of Flanders, their floors of wood mosaics, and their great carved movables, had been shut up these many years. For my mother's claustral needs sufficient was provided by the alcove in which she slept, the private chapel of the citadel in which she would spend long hours, and this private dining-room where we now sat. Into the spacious gardens of the castle she would seldom wander, into our town of Mondolfo never. Not since my father's departure upon his ill-starred rebellion had she set foot across the drawbridge. “Tell me whom you go with, and I will tell you what you are,” says the proverb. “Show me your dwelling, and I shall see your character,” say I. And surely never was there a chamber so permeated by the nature of its tenant as that private dining-room of my mother's. It was a narrow room in the shape of a small parallelogram, with the windows set high up near the timbered, whitewashed ceiling, so that it was impossible either to look in or to look out, as is sometimes the case with the windows of a chapel. On the white space of wall that faced the door hung a great wooden Crucifix, very rudely carved by one who either knew nothing of anatomy, or else--as is more probable--was utterly unable to set down his knowledge upon timber. The crudely tinted figure would be perhaps half the natural size of a man; and it was the most repulsive and hideous representation of the Tragedy of Golgotha that I have ever seen. It filled one with a horror which was far indeed removed from the pious horror which that Symbol is intended to arouse in every true believer. It emphasized all the ghastly ugliness of death upon that most barbarous of gallows, without any suggestion of the beauty and immensity of the Divine Martyrdom of Him Who in the likeness of the sinful flesh was Alone without sin. And to me the ghastliest and most pitiful thing of all was an artifice which its maker had introduced for the purpose of conveying some suggestion of the supernatural to that mangled, malformed, less than human representation. Into the place of the wound made by the spear of Longinus, he had introduced a strip of crystal which caught the light at certain angles--more particularly when there were lighted tapers in the room--so that in reflecting this it seemed to shed forth luminous rays.