But the cream and glory of the ancient writers I had yet to taste. My first acquaintance with the poets came from the translation of Virgil upon which Messer Caro was at the time engaged. He had definitely taken up his residence in Piacenza, whither it was said that Farnese, his master, who was to be made our Duke, would shortly come. And in the interval of labouring for Farnese, as Caro was doing, he would toil at his translation, and from time to time he would bring sheaves of his manuscript to the doctor's house, to read what he had accomplished. He came, I remember, one languid afternoon in August, when I had been with Messer Fifanti for close upon three months, during which time my mind had gradually, yet swiftly, been opening out like a bud under the sunlight of much new learning. We sat in the fine garden behind the house, on the lawn, in the shade of mulberry trees laden with yellow translucent fruit, by a pond that was all afloat with water-lilies. There was a crescent-shaped seat of hewn marble, over which Messer Gambara, who was with us, had thrown his scarlet cardinal's cloak, the day being oppressively hot. He was as usual in plain, walking clothes, and save for the ring on his finger and the cross on his breast, you had never conceived him an ecclesiastic. He sat near his cloak, upon the marble seat, and beside him sat Monna Giuliana, who was all in white save for the gold girdle at her waist. Caro, himself, stood to read, his bulky manuscript in his hands. Against the sundial, facing the poet, leaned the tall figure of Messer Fifanti, his bald head uncovered and shining humidly, his eyes ever and anon stealing a look at his splendid wife where she sat so demurely at the prelate's side. Myself, I lay on the grass near the pond, my hand trailing in the cool water, and at first I was not greatly interested. The heat of the day and the circumstance that we had dined, when played upon by the poet's booming and somewhat monotonous voice, had a lulling effect from which I was in danger of falling asleep. But anon, as the narrative warmed and quickened, the danger was well overpast. I was very wide-awake, my pulses throbbing, my imagination all on fire. I sat up and listened with an enthralled attention, unconscious of everything and everybody, unconscious even of the very voice of the reader, intent only upon the amazing, tragic matter that he read. For it happened that this was the Fourth Book of the Aeneid, and the most lamentable, heartrending story of Dido's love for Aeneas, of his desertion of her, of her grief and death upon the funeral pyre. It held me spellbound. It was more real then anything that I had ever read or heard; and the fate of Dido moved me as if I had known and loved her; so that long ere Messer Caro came to an end I was weeping freely in a most exquisite misery.