Elsa, with a sigh, went slowly to the women’s quarters, her oath, the
most terrible that may be taken on the Rhine, weighing heavily upon her.
Resolving not to break it, yet determined in some way to save Wilhelm,
the girl spent the first part of the journey in revolving plans of
escape, for she found as the cavalcade progressed that her uncle did not
trust entirely to the binding qualities of the oath she had taken, but
had her closely watched as well. As the expedition progressed farther
and farther south in the direction of Mayence, vigilance was relaxed,
and on the evening of the second day, when a camp had been selected for
the night, Elsa escaped and hurried eastward through the forest until
she came to the Rhine, which was to be her guide to the castle of
Schonburg. The windings of the river made the return longer than the
direct journey through the wilderness had been, and in addition to this,
Elsa was compelled to circumambulate the numerous castles, climbing the
hills to avoid them, fearing capture and delay, so it was not until the
sun was declining on the sixth day after the assault on the castle that
she stood, weary and tattered and unkempt, before the closed gates of
Schonburg, and beat feebly with her small hand against the oak, crying
for admittance. The guard of the gate, seeing through the small lattice
but a single dishevelled woman standing there, anticipating treachery,
refused to open the little door in the large leaf until his captain
was summoned, who, after some parley, allowed the girl to enter the
courtyard.
“What do you want?” asked the captain, curtly.
She asked instead of answered:
“Is your prisoner still alive?”
“The son of the Outlaw? Yes, but he would be a confident prophet who
would predict as much for him at this hour to-morrow.”
“Take me, I beg of you, to the Countess.”
“That is as it may be. Who are you and what is your business with her?”
“I shall reveal myself to her Ladyship, and to her will state the object
of my coming.”
“Your object is plain enough. You are some tatterdemalion of the forest
come to beg the life of your lover, who hangs to-morrow, or I am a
heathen Saracen.”
“I do beseech you, tell the Countess that a miserable woman craves
permission to speak with her.”
What success might have attended her petition is uncertain, but the
problem was solved by the appearance of the Countess herself on the
terrace above them, which ran the length of the castle on its western
side. The lady leaned over the parapet and watched with evident
curiosity the strange scene in the courtyard below, the captain and his
men in a ring around the maiden of the forest, who occupying the centre
of the circle, peered now in one face, now in another, as if searching
for some trace of sympathy in the stolid countenances of the warriors
all about her. Before the captain could reply, his lady addressed him.
“Whom have you there, Conrad?”
Public-domain text, read in full here on John Shaqi.
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