With the Count, the process of mental reconstruction was slower, not
only on account of his former conviction that his son was dead, but
also because of the deep distrust in which he held the Outlaw. He said
little, as was his custom, but often sat with brooding brows, intently
regarding his son, gloomy doubt casting a shadow over his stern
countenance. Might not this be a well-laid plot on the part of the
Outlaw to make revenge complete by placing a von Weithoff in the halls
of Schonburg as master of that ancient stronghold? The circumstances in
which identity was disclosed, although sufficient to convince every
one else in the castle, appeared at times to the Count but the stronger
evidence of the Outlaw’s craft and subtlety. If the young man were
actually the son of von Weithoff, then undoubtedly the Outlaw had run
great risk of having him hanged forthwith, but on the other hand, the
prize to be gained, comprising as it did two notable castles and two
wide domains, was a stake worth playing high for, and a stake which
appealed strongly to a houseless, landless man, with not even a
name worth leaving to his son. Thus, while the Countess lavished
her affection on young Wilhelm, noticing nothing of her husband’s
distraction in this excessive happiness, Count Herbert sat alone in the
lofty Knight’s Hall, his elbows resting on the table before him, his
head buried in his hands, ruminating on the strange transformation that
had taken place, endeavouring to weigh the evidence _pro_ and _con_
with the impartial mind of an outsider, becoming the more bewildered the
deeper he penetrated into the mystery.
It was in this despondent attitude that Elsa found him a few days
after the leap from the wall that had caused her return to Schonburg,
a willing captive. The Count did not look up when she entered, and the
girl stood for a few moments in silence near him. At last she spoke in
a low voice, hesitating slightly, nevertheless going with incisive
directness into the very heart of the problem that baffled Count
Herbert.
“My Lord, you do not believe that Wilhelm is indeed your son.”
The master of Schonburg raised his head slowly and looked searchingly
into the frank face of the girl, gloomy distrust reflected from his own
countenance.
“Were you sent by your uncle to allay my suspicion?
“No, my Lord. I thought that a hint of the truth being given, Nature
would come to the assistance of mutual recognition. Such has been
the case between my lady and her son, but I see that you are still
unconvinced.”
“For my sins, I know something of the wickedness of this world, a
knowledge from which her purity has protected the Countess. You believe
that Wilhelm is my son?”
“I have never said so, my Lord.”
Public-domain text, read in full here on John Shaqi.
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