with reference to the walls on either hand, then, satisfying himself
that he had free play, he took up a position before the door and stood
there motionless as the statue of a war-god. “Now, by the Cross I fought
for,” he muttered to himself, “the first man who sets foot across this
threshold enters the chamber of death.”
He remained thus, leaning with folded arms on the hilt of his long
sword, whose point rested on the flags of the floor, and at last his
patience was rewarded. He heard the rattle of the bolts outside, and a
tense eagerness thrilled his stalwart frame. The door came cautiously
inward for a space of perhaps two feet and was then brought to a stand
by the tightening links of a stout chain, fastened one end to the door,
the other to the outer wall. Through the space that thus gave a view of
the wide outer passage the Count saw Richart stand with pale face, well
back at a safe distance in the centre of the hall. Two men-at-arms held
a position behind their master.
“My Lord,” began Richart in trembling voice, “her Ladyship, the
Countess, desires----”
“Open the door, you cringing Judas!” interrupted the stern command of
the count; “open the door and set me as free as your villainy found me.
I hold no parley with a traitor.”
“My Lord, I implore you to listen. No harm is intended you, and my Lady,
the Countess, asks of you a conference touching----”
The heavy sword swung in the air and came down upon the chain with a
force that made the stout oaken door shudder. Scattering sparks cast a
momentary glow of red on the whitened cheeks of the startled onlookers.
The edge of the sword clove the upper circumference of an iron link,
leaving the severed ends gleaming like burnished silver, but the chain
still held. Again and again the sword fell, but never twice in the same
spot, anger adding strength to the blows, but subtracting skill.
“My Lord! my Lord!” beseeched Richart, “restrain your fury. You cannot
escape from this strong castle even though you sever the chain.”
“I’ll trust my sword for that,” muttered the prisoner between his set
teeth.
There now rang out on the conflict a new voice; the voice of a woman,
clear and commanding, the tones instinct with that inborn quality of
imperious authority which expects and usually obtains instant obedience.
Public-domain text, read in full here on John Shaqi.
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