Chore, frequent the meetings at the _Kneipe_, and take part in their
other pleasures, without involving themselves with the affairs of the
Chore. They maintain a friendly intercourse with the students of the
Chore, augment the appearance of the Chore by their numbers, and in
return enjoy from the union a certain degree of protection, with whose
weapons they also fight. They pay less for the loan of the weapons than
the other students and are allowed to use them for a fixed sum for a
whole course, that is, for the half-year.
On the very lowest step of the Chore stands the _Renoncen_, who has
neither seat nor voice in the _Chore-Convent_, or official meeting of
the Chore. The _Renoncen_ are for the most part harassed with menial
services. They must convey the weapons--which are usually kept in the
place of contest, locked up, those of each Chore in its own chest--in
case of danger from the authorities, or of any necessity, to a place of
safety; when there is singing in the _Kneipe_, they must hand round the
_Commers-Books_, the song-books; and besides this, on occasion of every
duel that is to be fought with the weapons of the Chore, they must go
at night, after the _Kneipe_ is over, to the house of the Pawk-doctor,
the surgeon of the students, who is always in attendance at the
duels--and announce to him the fact, with the time at which it is to
take place. In all the Chores they are bound to appear at the _Kneipe_,
on certain days, and failing in this respect, are mulct in a pecuniary
fine. In different Chores this attendance of the _Renonce_ is
different: in some, it must be daily; in others, three or four times a
week; and is not to be omitted without substantial reason.
Between the _Renoncen_ and the _Chore-Burschen_, stands the
_Fuchs-major_--the greater Fox--who is always the oldest _Renonce_, and
has the right to go into the _Chore-Convent_, but is not entitled there
to speak. If the _Renonce_ will advance to the rank of _Chore-Bursch_,
it is indispensable that he shall have fought three duels.
Public-domain text, read in full here on John Shaqi.
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