THE STUFF
By HENRY SLESAR
Illustrated by Ritter
[Transcriber's Note: This etext was produced from
Galaxy Magazine August 1961.
Extensive research did not uncover any evidence that
the U.S. copyright on this publication was renewed.]
Would it work? Yes. How would
it work? Exactly like this.
"No more lies," Paula said. "For God's sake, Doctor, no more lies. I've
been living with lies for the past year and I'm tired of them."
Bernstein closed the white door before answering, mercifully obscuring
the sheeted, motionless mound on the hospital bed. He took the young
woman's elbow and walked with her down the tiled corridor.
"He's dying, of course," he said conversationally. "We've never lied to
you about that, Mrs. Hills; you know what we've told you all along. I
hoped that by now you'd feel more resigned."
"I was," she said bitterly. They had stopped in front of Bernstein's
small office and she drew her arm away. "But then you called me. About
this drug of yours--"
"We had to call you. Senopoline can't be administered without
permission of the patient, and since your husband has been in coma for
the last four days--"
He opened the door and nodded her inside. She hesitated, then walked
in. He took his place behind the cluttered desk, his grave face
distracted, and waited until she sat down in the facing chair. He
picked up his telephone receiver, replaced it, shuffled papers, and
then locked his hands on the desk blotter.
"Senopoline is a curious drug," he said. "I've had little experience
with it myself. You may have heard about the controversy surrounding
it."
"No," she whispered. "I don't know about it. I haven't cared about
anything since Andy's illness."
"At any rate, you're the only person in the world that can decide
whether your husband receives it. It's strange stuff, as I said, but in
the light of your husband's present condition, I can tell you this--it
can do him absolutely no harm."
"But it will do him good?"
"There," Bernstein sighed, "is the crux of the controversy, Mrs.
Hills."
* * * * *
Row, row, row your boat, he sang in his mind, feeling the lapping
tongues of the cool lake water against his fingers, drifting, drifting,
under obeisant willows. Paula's hands were resting gently on his eyes
and he lifted them away. Then he kissed the soft palms and pressed them
on his cheek. When he opened his eyes, he was surprised to find that
the boat was a bed, the water only pelting rain against the window, and
the willow trees long shadows on the walls. Only Paula's hands were
real, solid and real and comforting against his face.
He grinned at her. "Funniest damn thing," he said. "For a minute there,
I thought we were back at Finger Lake. Remember that night we sprang a
leak? I'll never forget the way you looked when you saw the hem of your
dress."
Public-domain text, read in full here on John Shaqi.
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