"Oh, dearest Jinny, doesn't it seem like a dream that we're all going to be together, all we women, in a real home, with a real man at the head of it to direct us and give us of his strength! It does seem just like that beautiful old-fashioned home that George drew such an exquisite picture of, in his article, where the home was the center of the world to the women in it. It will be to me, I assure you, dear. I feel as though I had come to a haven, and as though I _never_ would want to leave it!" The expressmen were carrying up another trunk now, and so conscious of the glittering eyes of mastery upon them that they carried it as though it were the Ark of the Covenant and they its chosen priests. Mrs. Brewster-Smith followed them with a firm tread, throwing over her shoulder to the stone Genevieve below, "Oh, my dear, little Eleanor and her nurse will be in soon. Frieda was taking Eleanor for her usual afternoon walk. Will you just send them upstairs when they come! I suppose Frieda will have the room in the third story, that extra room that was finished off when Uncle Henry lived here. Emelene, you'd better come right up, too, if you expect to get unpacked before dinner." She disappeared, and Emelene fluttered up after her, drawn along by suction, apparently, like a sheet of paper in the wake of a train. The expressmen came downstairs, still treading softly, and went out. Genevieve was alone again in her front hall. To her came tiptoeing Marie, with wide eyes of query and alarm. And from Marie's questioning face, Genevieve fled away like one fleeing from the plague. "Don't ask me, Marie! Don't _speak_ to me. Don't you dare ask me what... or I'll..." She was at the front door as she spoke, poised for flight like a terrified doe. "I must see Mr. Remington! I don't know _what_ to tell you, Marie, till I have seen Mr. Remington! I must see my husband! I don't know what to say, I don't know what to _think_, until I have seen my husband." Calling this eminently wifely sentiment over her shoulder she ran down the front walk, hatless, wrapless, just as she was in her pretty flowered and looped-up bride's house dress. She couldn't have run faster if the house had been on fire. The clicking of her high heels on the concrete sidewalk was a rattling tattoo so eloquent of disorganized panic that more than one head was thrust from a neighboring window to investigate, and more than one head was pulled back, nodding to the well-worn and charitable hypothesis, "Their first quarrel." The hypothesis would instantly have been withdrawn if any one had continued looking after the fleeing bride long enough to see her, regardless of passers-by, fling herself wildly into her husband's arms as he descended from the trolley-car at the corner. Betty Sheridan was sitting in the drawing-room of her parents' house, rather moodily reading a book on the _Balance of Trade_.