The Sturgis wager : $b A detective storyMorette, Edgar
General
The Sturgis wager : $b A detective story
Morette, Edgar
Detective and mystery stories; Journalists -- Fiction; Murder -- Investigation -- Fiction; New York (N.Y.) -- Fiction
Sprague was a dilettante in art as he was in life. If he had not been
rich, he might perhaps have become a great artist. But, lacking the
spur of poverty, he seemed incapable of sustained effort. Occasionally
he was seized with a frenzy for labor; and, for weeks at a time,
he would shut himself up in his studio, until he had creditably
accomplished some bit of work. But the fever was soon spent, and a
reaction invariably followed, during which palette and brush were taken
up only in desultory fashion. Thus it was that at the age of eight
and twenty, Sprague had painted a few pictures which had attracted
favorable attention at the annual exhibitions of the Academy of Design,
and which the critics had spoken of as "promising"; and thus it was
that the promise was as yet unfulfilled, and that Sprague, though a man
of undoubted talent, was not likely ever to rank as a genius in his
profession.
Sturgis, with his keen insight into human nature, fully realized the
potential capacities of the artist, and at times he could not control
his impatience at his friend's inert drifting through life. But, with
all their differences, these two men held each other in the highest
esteem, each admiring in the other those very qualities which were
lacking in himself.
The artist lived in a fashionable quarter of the city, in a bachelor
apartment which included a large and commodious studio fitted up
according to the latest canons of artistic taste.
On this particular New Year's morning, after waking and observing,
by the filtering of a few bright sunbeams through the closely drawn
blinds, that it was broad daylight, he stretched himself with a
voluptuous yawn and prepared to relapse into the sensuous enjoyment of
that semi-somnolent state which succeeds a night of calm and refreshing
sleep.
Just as he was settling himself comfortably, however, he was startled
by a knock at the bedroom door. Most men, under the circumstances,
would have betrayed some vexation at being thus unceremoniously
disturbed. But there was no suspicion of annoyance in Sprague's cheery
voice, as he exclaimed:
"You cannot come in yet, Mrs. O'Meagher. I am asleep, and I shall be
asleep for another hour at the least. Surely you cannot have forgotten
that to-day is a holiday. Happy New Year! You have time to go to
several masses before----"
"Get up, old lazybones; and don't keep a man waiting at your door in
this inhospitable way, when he is in a hurry," interrupted a voice
whose timbre was not that of the housekeeper, Mrs. O'Meagher.
"Oh! is that you, Sturgis?" laughed the artist. "Aren't you ashamed of
yourself to come routing honest men out of bed at this unseemly hour?
Wait a minute, till I put on my court costume, that I may receive you
with the honors and ceremonies due to your rank and station."
A couple of minutes later, the artist, picturesquely attired in a loose
oriental dressing gown and fez, opened the door to his friend, Ralph
Sturgis.
Public-domain text, read in full here on John Shaqi.
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