The Sturgis wager : $b A detective storyMorette, Edgar
General
The Sturgis wager : $b A detective story
Morette, Edgar
Detective and mystery stories; Journalists -- Fiction; Murder -- Investigation -- Fiction; New York (N.Y.) -- Fiction
For she had come at last. There she stood, with laughing brown eyes and
glowing cheeks, when Sprague threw open the door. Alas, as usual, she
was accompanied by her maid. Never mind; was it not enough to have her
there at all, to bask in the sunshine of her smile, to look into the
dangerous depths of those soul-stirring eyes, to listen to the rippling
of her silvery voice?
"I fear I am a little late, Mr. Sprague; I am so sorry to have kept you
waiting. But you see this is how it was----"
What mattered it to him now how it was? Was she not there? An eternity
of suspense and misery would have been wiped out by that single
entrancing fact. Her words beat upon his ear like rapturous melody; he
drank them in, hardly conscious of their meaning.
Agnes Murdock, followed by her maid, proceeded at once to the
dressing-room set apart for the use of the artist's models. When
she returned, dressed for the sitting, she assumed under Sprague's
directions the pose of the portrait, while the artist critically
arranged her draperies and adjusted the shades and screens.
The maid had remained in the dressing-room.
"And so these are positively the last final touches, are they, Mr.
Sprague?" asked the young girl mischievously, after a few minutes. "You
artists seem to be quite as uncertain about your farewell appearances
as any famous actress or singer."
The artist looked up quickly as the girl spoke. An expression of pain
crossed his features.
"Yes, Miss Murdock," he answered gravely. "I shall not have to trouble
you to pose again."
Miss Murdock's attention was attracted by the melancholy note in his
voice. She observed him from the corner of her eyes in kindly curiosity.
The artist fell into a moody silence. For a while he worked with
feverish activity at the portrait; and then, gradually falling into
a fit of melancholy abstraction, he sat, with poised brush, gazing
intently at the beautiful girl before him. His task forgotten, he was
apparently unconscious that he was taking advantage of his privileged
position to stare at his fair subject. Agnes felt his burning glance
and was embarrassed by it; but, womanlike, she retained control of
herself, outwardly, at all events, as she uttered some commonplace
remark, which broke the spell and brought the artist to his senses with
a sharp consciousness of his rudeness. He replied to the young girl's
question in a low, changed voice, and then relapsed into a gloomy
silence. After an awkward interval he asked suddenly:
"Are you so very glad, Miss Murdock, that our sittings are almost
over?"
"Why, no, Mr. Sprague," replied Agnes; "I did not mean that. Of course
I shall be glad when the portrait is finished, because I wish to have
it home and to let my friends see it. But I should be indeed ungrateful
if I begrudged my poor little time and trouble, when yours have been so
lavishly and so ungrudgingly spent."
Public-domain text, read in full here on John Shaqi.
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