“Goodbye, _mein lieber Herr Zorn_,” murmured the older man.
There was emotion in his voice, tenderness in his tone, sorrow on his
face.
“Adieu,” muttered the young man; an involuntary sigh escaped his lips.
Their hands remained clasped.
“I hope success will meet you wherever you turn,” the older resumed
affectionately. “I hope your enemies will have no occasion to
rejoice——”
A smile again appeared on the young man’s pale face, a cynical smile
that only touched the iris of his eyes and the corners of his mouth.
“Don’t worry, _lieber Hirsch_. _Sie werden noch von mir hören!_” (You
will hear from me yet!)
A sympathetic pressure of their hands and they both smiled.
The young man jumped into the vehicle, the driver slightly rose in his
seat and clacked his tongue, the horses moved.
“Goodbye,” the man called from the curb.
“Goodbye,” called back the young man from the moving cart and waved his
hand . . .
PART TWO
A FIGHTER IN THE MAKING
THE SALON.
I.
Some cities are like affected women. In their desire to appear original,
without possessing any originality, they ape the mannerism of one, the
gait of another, the gestures of a third, striking poses not their own.
While Paris, for example, has always been her natural self, with her
vices and virtues, her elegance and tawdriness, her brilliance and
superficial glitter, which spring from her native appetites; while
London, likewise, is always herself, as is Vienna and Munich and Venice
and Florence and Rome; Berlin, of all great cities, has never been her
real self. With the subtle artifices of the poseur she has always
imitated her envied rivals and at the same time ridiculed those whose
manners she simulated. Her lurking jealousy has always decided her
model. It is a safe prophecy that within a decade Berlin will pattern
her life after New York and will at the same time raise her voice in
derision against the materialism of the great American Metropolis.
Berlin a century ago, no different from Berlin of today, had broad
avenues, beautiful public gardens, spacious boulevards, gaudy palaces,
luxurious homes, busy restaurants, noisy cafés, all immaculately kept
with the orderliness of an army on parade, and with a palpable newness
that made one feel that the city and all her gardens, avenues,
boulevards, palaces, were laid out by cord and line, chiefly after the
design of an individual, without the least indication of the character
or ideas of the inhabitants.
Public-domain text, read in full here on John Shaqi.
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