He soon reached the market-place. It was deserted. Now and then a door
opened, and a bar of a raucous song was heard. Then silence. A drunken
peasant, lying on his back in the dust near a dram shop, was hiccoughing
a love song, but soon his voice was hushed, too. Silence again. The last
rays of the dying sun rested like a halo around the head of the Christ
upon the tall black crucifix in the centre of the market place. Albert
was about to turn in the direction of his host’s villa when his
attention was arrested by a girl, who emerged from a narrow passageway
that branched off the market place. In her hand was a large jug and she
was on her way to the Marktbrunnen. He recalled a scene in Mesopotamia,
in the city of Nahor. The scene appeared to him as if he had actually
seen it in his childhood. It was distant but vivid. He visualized all
Biblical scenes. This damsel too, was “very fair to look upon, and she
went down to the well.” But it was harder to draw the water here than in
Mesopotamia of old. The well was very deep and the frame above the
ground was of round logs, which were mossy and wet and dripping, and
there were puddles of water between the stones around the well. At a
straight line from the centre of the well a perpendicular heavy pole was
suspended from a long beam high above, and to the bottom of the
suspended pole was attached an iron-hooped pail, which one was obliged
to lower into the deep well, plunge it into the black looking water, and
then with the aid of the balancing beam, bring up the pail.
Albert approached the well as the girl had gripped the pole and began to
lower it while the beam above was creaking resistance. He remained
standing across the well, looking straight at this Rebekah, but she
seemed unconscious of his presence.
“May I help you?”
A scarcely perceptible frown on her dark face was the only response and
the grip on the pole tightened. In Gnesen young men offered no
assistance to girls at the well. A deep gurgle from the depths, a
frog-like grunt, and soon the pail was balanced on the top log of the
well. As she filled her jug and turned to leave her eyes never betrayed
the least knowledge that a young man was eagerly watching every move and
gesture of hers; only the brown of her cheeks seemed of a deeper warmth
and her gait lacked the ease which had marked her steps on her way to
the well.
Following at a respectable distance he soon found himself in an uneven,
unpaved, open space, to the right of which was an edifice of
unmistakable character—the simplicity of structure, the indefinable
gloom hovering over it, the long arched windows, told him that this was
a house of prayer—and to the left was a row of dingy houses, with high
stoops.
The girl cut diagonally across the large courtyard, mounted a high
wooden porch, and when she entered the house closed the door with a slam
that resounded throughout the square. Albert stood and looked at the two
windows for a while. No face appeared at either of them.
Public-domain text, read in full here on John Shaqi.
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