But the fates always interfered with him, not only in his plans, the
affairs of the heart but also in his literary pursuits. One day an
admirer sought his acquaintance and became a worshipping friend. And he
was a friend worth having. He was the sort of person Albert needed. He
was a nobleman from Posen, a count with a genuine love for poetry;
sympathetic, generous, young, handsome and entertained liberal religious
views, though a Catholic by birth. Besides, he was an accomplished
musician and had composed music for a few of Albert’s songs. Eager for
recognition, chafing from the public’s neglect, the count’s praise was
an infusion of new courage. And the more the count praised his verses,
the higher he rose in the author’s estimation. The count had become the
“worthiest of mortals”, “a flower of purity”, the “embodiment of all
that was good and noble”.
Albert talked of the count to his friends, to his acquaintances, to
strangers, and could not even resist the temptation of utilizing the
count’s given name in his verses. Impetuous, influenced to love and hate
at first sight, the count had won him completely. And what was even more
precious in this nobleman, he possessed originality and wit—rare
faculties among Albert’s ponderous Berlin friends. So when the count
invited him to his estate near Gnesen, Albert forgot his resolutions for
an industrious summer and accompanied him to Posen.
He found his surroundings there a veritable poet’s dream. A palatial
villa surrounded by extensive woods, luxuriant gardens, hundreds of
acres of fertile fields, with a great forest back of the estate, a water
mill, and all that the heart could crave. Nor were coquettish maidens
wanting.
One day he met with a real adventure. He was alone, wandering through
the narrow filthy streets of Gnesen, the town close by. The little town
presented a strange sight to him. It looked medieval. Unpaved, without
sidewalks, pulverized mud in the streets, the houses of heavy logs,
unpainted, and straw-thatched and black with age, with grotesque looking
people in the doorways or seated on earthen stoops extending across the
whole front of the house. The peasants wore the national costume of
unbleached linen coats without sleeves, with a colored girdle fastened
around the waist, and trousers tucked in top-boots.
It was near sunset, the sun was sinking in a mist of gold and indigo and
lustrous copper, the cows were returning from pasture through the main
street to the resounding pistol-like echoes of the shepherd’s long whip
and to his exasperating shouts of “Whoa!”
Albert strolled along aimlessly, listening to the unintelligible jabber
of the people around him, only now and then catching a word of their
jargon.
Public-domain text, read in full here on John Shaqi.
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