It dribbles and exgurgitates, black and noisome, at the slightest
provocation--nay, at none whatever, but with the delight of the past
master and artist in verbal nastiness, anxious to display his erudition.
It is a corruption of thought and expression so foul and concentrated, and
withal so limited in its vocabulary and scope, that it fastens itself in
the ear by a damnable iteration which no diverting of the attention can
overcome; and it announces a depth of moral and mental debasement which
seems as far from human as from merely animal possibilities; it is of the
uttermost soundings of Tophet, and would probably be modified by
fresh-heated gridirons even there.
This speech, or verbosity rather--for it has none of the logic or
continuity of mortal utterances--does not continue uninterruptedly during
the day, but observes special hours, when the guards are paying even less
than their usual attention to the vagaries of their charges. Of these
periods, the hours of early dawn are the most fertile.
When I dwelt in the environs of the city, it was my fortunate habit, in
summer, to awake at dawn, just before sunrise, when the wide pasture
outside my window was still obscure with the shadows of night, but the sky
had begun to kindle with the splendors of day. In a group of darksome
trees beside a little stream two hundred paces distant a song thrush was
wont to trill forth the holy soul of awakening nature in such a paean of
deathless Pan as inspired John Keats to utter the melodies of his magic
ode. It consecrated the footsteps of the approaching sun, and the hearer
was borne back on its swelling current to those pure early aeons of the
human race, when love was the lord of life and innocence went forth
crowned with rapture.
For this hymn of the primal gods was now substituted the hideous strophes
and antistrophes of the grimy spirits of darkest New York. As one
performer after another took up the strain, to and fro and from upper to
lower tiers of cells, one awaited some seismic cataclysm to put an end to
it and them; and the pauses of it were punctuated by bursts of dreary
laughter, applausive of the incredible gushings of blighting depravity.
They were the heralds of the prison day--the tune to which its steps were
set. After it was over--when the yawning keeper had rattled the bars and
threatened a twelve-hour close confinement to the perpetrators--one was
amazed to identify with the latter persons outwardly in human shape,
instead of malformed and sooty fiends from the bottomless abyss. I doubt
whether anything to range with this occurs in any other criminal cauldron
in the world; and therefore, with stopped nostrils, have I tried to give
some faint adumbration of its character.
Public-domain text, read in full here on John Shaqi.
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