The Sufistic Quatrains of Omar KhayyamOmar Khayyam
ReligionSufism
The Sufistic Quatrains of Omar Khayyam
Omar Khayyam
FitzGerald, Edward, 1809-1883; Sufi poetry
The «complaints» may obviously be connected with the known facts of the
poet's life, by supposing them to have been prompted by the persecution
to which he was subjected on account of his opinions. His remarks on the
Houris and other sacred subjects raised such a feeling against him that
at one time his life was in danger, and the wonder is that he escaped
at all in a city like Naishapur, where the _odium theologicum_ raged so
fiercely as to occasion a sanguinary civil war. In the year 489 A.H., as
we learn from Ibn Al Athir,[101] the orthodox banded themselves together
under the leadership of Abul Kasim and Muhammad, the chiefs of the
Hanefites and the Shafeites, in order to exterminate the Kerramians or
Anthropomorphist heretics, and succeeded in putting many of them to
death, and destroying all their establishments. It may be also that
after the death of his patron, Nizam ul Mulk, Omar lost his stipend and
was reduced to poverty.
The satires probably owed their origin to the same cause. _Rien soulage
comme la rhetorique_, and if Omar could not relieve his feelings by open
abuse of his persecutors, he made up for it by the bitterness of his
verses. The bitterness of his strictures on them was no doubt fully
equalled by the rancour of their attacks upon him.
The love-poems are samples of a class of compositions much commoner in
later poets than in Omar. Most of them probably bear a mystical meaning,
for I doubt if Omar was a person very susceptible of the tender passion.
He speaks with appreciation of «tulip cheeks» and «cypress forms,» but
apparently recognises no attractions of a higher order in his fair
friends.
The poems in praise of scenery again offer a strong contrast to modern
treatment of the same theme. The only aspects of nature noticed by Omar
are such as affect the senses agreeably--the bright flowers, the song of
the nightingale, the grassy bank of the stream, and the shady garden
associated in his mind with his convivial parties. The geographer
translated by Sir W. Ouseley says of Naishapur, «The city is watered by
a subterranean canal, which is conveyed to the fields and gardens, and
there is a considerable stream that waters the city and the villages
about it--this stream is named _Saka_. In all the provinces of Khorassan
there is not any city larger than Naishapur, nor any blessed with a more
pure and temperate air. » No doubt it was some of these gardens that
called forth Omar's encomiums.
Public-domain text, read in full here on John Shaqi.
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