The Sugar Creek Gang Digs for TreasureHutchens, Paul
General
The Sugar Creek Gang Digs for Treasure
Hutchens, Paul
Adventure and adventurers -- Juvenile fiction; Christian life -- Juvenile fiction; Treasure troves -- Juvenile fiction
First I saw him take a wild look around like he wanted to make a dash
for a door or a window and disappear. He must have thought better of
it, though, ’cause he started pumping water again and doing something
to the fish he had caught, then he fumbled at his belt and in a second
I saw in his right hand a fierce-looking sheath knife, just like the
kind Barry carried. Its wicked-looking blade was about 5 inches long
and looked like it could either slice a fish into steaks in a jiffy
or do the same to a boy. Not a one of us had any weapons except our
pocket knives, and also not a one of us was going to be foolish enough
to start a fight. If only we could make a dash for the door and get
out--if the door wasn’t nailed shut, I thought. Then we could run like
scared deer and get away.
But there wasn’t a chance in the world--not with a fierce man with a
fierce-looking hunting knife in his hand.
Then Big John Till’s voice boomed into our room and said, “ALL
RIGHT--WHOEVER YOU ARE--COME OUT WITH YOUR ARMS UP!”
“What’ll we do?” Dragonfly’s trembling whisper asked me, but I already
had my arms up, and in a second he had his spindling arms pointed in
different directions toward the ceiling.
“Get ’em up!” I whispered to all of us, and I thought that, if we got a
chance, we’d make a dive for the open kitchen window and head for camp
terribly fast.
Poetry’s fat forehead was puckered with a very stubborn pucker, and
before I knew he was going to do what he did, he did it, which was--he
yelled into the other room, “Come on out onto the front porch and get
us!” only, of course, we weren’t on the front porch, and it didn’t make
sense at all until a little later.
As you know, Poetry’s voice was changing, and part of the time it was a
bass voice and the other part of the time, it was a soprano, on account
of he was old enough to be what my pop called “an adolescent,” which
is what a boy’s voice is like when adolescence happens to him. Part of
what Poetry said was in a man’s voice and sounded pretty fierce, but
right in the middle of the sentence his voice changed, and it was like
a scared woman’s voice, the kind that would have made Dragonfly think
it was a ghost’s voice, if he had heard it in the middle of a dark
night in an old abandoned house.
To make matters worse, Dragonfly sneezed again, and we knew we were
found out for sure. It must have been darker in the room where we were
than it was in the kitchen or something, or else John Till really
thought we were out on that front porch, ’cause all of a sudden he left
the sink where he’d been pumping water on his fish, and whirled around
with his big knife in his hand, straight out of the kitchen and through
the main room, dodging the table in the middle, and the Morris chair,
and made straight for the front porch.
Public-domain text, read in full here on John Shaqi.
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