And all the time Mr. Darnley said nothing, heard nothing of his guest’s
protestations. This beautiful nervous boy had no interest for Kingston
Darnley; he did not care what he said or felt or looked like. But
the terror that haunted Ivor Restormel was not his; the mysterious
attraction that filled him was not his own. Somewhere, deep down in
his being, lived Something that had felt that terror, Something that
exercised that attraction over Kingston, Something that called to
Kingston as an old friend. And that Something, Kingston knew it, heard
it calling to him imperiously out of the eternal past. It was the
Something that had once carried the name and shape of Isabel. There was
no mistaking it. Now at last Kingston understood what it was that had
gripped him yesterday on the road, what inexplicable summons of old
friendship. The dead had come back to him after many years. But clothed
in alien flesh, forming part of a new personality, shut off from
recognition by the barriers of the body. For in this boy lived only
the one fragmentary recollection of the final catastrophe. Nothing
in Kingston’s soul, no call of ancient kinship, no appeal to bygone
pledges, could penetrate to the ears of that secret self. The dead had
come back, known to him, but incapable of knowing him again. How could
he wake memory in that changed thing which had returned, at once the
same, and yet so different, in its freedom from that bond which once
had made them one, and now, still as strong as ever in the hold it had
over himself, had broken and fallen away for ever from the other soul
it had gripped? Kingston looked at his visitor with a feeling that drew
near to hatred. This stranger held the thing he still loved. The body
and the shape of it was an irrelevant, a maddening accident; it was
the secret thing that Kingston called to, the secret thing that was
prevented from hearing by this new personality in which it had clothed
itself. Kingston felt a sharp grudge against Ivor Restormel, his body,
his brain, his beauty. That body, that brain, that beauty made the
locked casket that imprisoned the living dead. And yet, inasmuch as
Ivor Restormel was the shrine of that lost passion, he was, on the
other hand, ineffably precious and sacred. He could not be let go.
The boy himself was less than nothing; but what he held was more than
everything.
Public-domain text, read in full here on John Shaqi.
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