The next few hours showed us a continuous amazing panorama. The
marble temple proved to be but one of a series connected by long and
graceful colonnades; and in the central structures, the Ionic and
Doric architecture were curiously mingled with a type that seemed
scarcely Grecian at all, since it admitted of all variety of arches and
curves unknown to the builders of classical Hellas. Most remarkable
of all, perhaps, were the gorgeously ornamented vases--some of them
six or eight feet in height--which were of a style akin to those
excavated from the ruins of old Ilium. But what caught my eye even more
strikingly were the statues that occasionally appeared in niches along
the marble galleries or in alcoves of the temples--statues that would
surely not have been unworthy of a Praxiteles, since even Praxiteles
could not have surpassed the symmetry of form and the unstrained
reality of pose and expression with which these unknown artists had
depicted their wrestling heroes and dancing fauns and stern-browed
old men and queenly maidens and gracious youths. For one who had been
nurtured on modern art, these busts and marbles were as old paintings
would be to him who had known only sketches in black and white; there
was none of that snowy coldness or bronze severity of hue which are so
common in sculpture today, but all of the statues had been skilfully
tinted with the complexion of life, and such was the verisimilitude,
that several times I started in surprise on beholding what I took to
be a living man but which proved to be only an image of stone. I was
interested, moreover, to note that none of the sculptured features had
that peculiar hardness and selfish keenness so common among the men
I had known, but that all seemed suffused with a clear and tranquil
spirituality; and every lyric impulse within me was awakened when I
observed on many of the faces of the women that same unearthly Madonna
look which had graced the butterfly-gowned dancing maiden.
But, of course, Rawson and I did not allow our pleasure in the
statuary to keep our minds from more vital subjects. Above all, we
maintained a constant lookout for the inhabitants of these queer
regions, for we could no longer suppress the suspicion that unseen
furtive eyes were peeping out at us from behind every pillar and
wall. For my own part, I had more than one qualm that I did not care
to admit, and secretly wished myself back on the X-111; and as for
Rawson--I found that youth afflicted with far too much imagination for
an adventurer, and repeatedly begged him to keep his fantastic fears to
himself.
Public-domain text, read in full here on John Shaqi.
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