The Sunny South: An Autumn in Spain and MajorcaClayton, John William
History
The Sunny South: An Autumn in Spain and Majorca
Clayton, John William
Majorca (Spain) -- Description and travel; Spain -- Description and travel
The waiter who belonged to the head before mentioned turned out to be
a most excellent young man, and, in his assiduous exertions to make
himself agreeable to apparently the first British traveller he had
ever beheld, danced about like an electrified frog. Indeed, we were
grateful enough for this very sprightliness of his, for it acted as a
corrective to the depressing effect of the entire establishment, which
was pervaded by an air of dull, forlorn gloom. The walls appeared to
be constantly in tears. The long cavernous passages and mysterious
corridors were made doubly dark by the sulky gleam of a consumptive
"short ten." The lofty bedrooms were provided with beds which had
too close a resemblance to four-post hearses, and their furniture in
general had too much of the faded grandeur of other days. The old
wooden staircases creaked audibly before we began to walk upon them,
as if some invisible ghost of a dead housemaid were waiting to show us
up to bed, and when we ventured upon them we found they were leaning
alarmingly on one side. We endeavoured as well as we could to keep in
the middle, but they were so unsteady that their movement produced a
sensation like that of mild intoxication or incipient sea-sickness.
We were not without dread lest, supposing the balustrades showed equal
signs of weakness, we might, if we did not hug the wall and coast along
it very carefully, be shovelled neck and crop into the abyss below. Can
anyone wonder, therefore, that in such a place we were grateful for
the sprightliness of our waiter, whose good spirits and lively antics
prevented us from indulging in depressing thoughts? Variety of any
kind is pleasing. Who has not heard of the gentleman who got into such
a depressed condition of mind from attending the debates in the House
of Lords and the burlesques at the London theatres, that, with the
view of obtaining a little beneficial change, he took occasional walks
in Brompton Cemetery, attended executions at the Old Bailey, or paid
frequent visits to an anatomical museum? It was the same gentleman who
was said always to carry an umbrella with an ivory death's-head as the
handle, who had a velvet coat made from a piece of his wife's pall, and
who took to singing the songs of Claribel.
Public-domain text, read in full here on John Shaqi.
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