The Sunny South: An Autumn in Spain and MajorcaClayton, John William
History
The Sunny South: An Autumn in Spain and Majorca
Clayton, John William
Majorca (Spain) -- Description and travel; Spain -- Description and travel
It seems an innocent practice enough, the taking notes occasionally
in a pocket-book; but here, in the Peninsula, it is rather nervous
work. For example, we had scarcely finished a few lines in pencil
on one occasion, when we became aware of the close proximity of two
_gendarmes_, who were both looking aslant over our shoulder, into the
book. For half an hour or so, they followed us persistently wherever we
went, occasionally stopping and conferring earnestly together, until we
feared we were going to be apprehended and thrown into a dungeon for
plotting against Queen Isabel, now dethroned, and taking notes of the
weak points in the character of her government and people, of which, by
the way, the mode of washing linen is one.
In all the walks outside Valladolid, everything reminds us forcibly of
the East, and affords evidence of the Oriental descent of the Spaniard.
There is, in fact, much truth in the assertion that Spain is but
_l'Afrique qui continue_. There are the same hot, white, dusty roads,
bordered by feathery acacias, and giving birth to the aloe; the same
brazen, dry, and wide sandy plains and stunted trees. There are many
of the same flat-roofed houses, against whose dazzling walls the fig
and oleander cast their shadows. There are the same brown, semi-nude
urchins, shouting Arabic-sounding words and whacking mules harnessed
with coloured drapery.
When we look towards the town, we see vast convent walls standing
defiantly, as those of fortresses, and pile after pile of great square
buildings, domes, and towers, rising against the blue, sleepy sky in
all their solemn beauty. When we enter the city, and walk along the
cool high streets, leaving the sultry plains behind us baking in dust
and glare, the eye turns upon old palaces converted into barracks and
alms-houses, and upon Moorish courts and Gothic halls, apparently
tenantless of any one save flea-bitten beggars, mumbling Babel only
knows what language, who crawl about, scratching themselves, half
asleep, amidst princely porticoes and noble columns. Everywhere we
observe groups of graceful, hooded women, men swathed in red sash,
striped cloak, and yellow shirt, looking out keenly from beneath
the sombrero's shade. The Spaniard seems to delight in gaudy hues.
Mules are clad in gay trappings, and the houses are painted in bright
colours; yet everywhere, too, we see dirt, decay, and sloth, and are
repelled by abominable smells.
Public-domain text, read in full here on John Shaqi.
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