the departed are near, quickening the soul of the unconscious musician with a spark of the music-spirit of a higher world? This may be considered by many as wild talk; but there are still some human beings who, at least once in their lives, have felt a strain of melody fall with entrancing power upon their hearts, inspiring diviner thoughts than they had ever known before, and so subliming the feelings, that for a time they felt a consciousness of their heavenly origin. He who has never experienced an enthusiasm like this can have no soul for music, but must be entirely of the earth, earthy--"only a clod." Near the high altar the lion-heart of Richard I. of England was buried. It is now in a very shrunken state, enclosed in a casket, and kept in the museum. It was left as a legacy to Rouen, for which favour no doubt the good inhabitants have been very grateful up to the present hour. His body is in the undisturbed possession of the population of Fontevrault. Notwithstanding all the modern improvements which have swept away most of ancient Rouen, there still remain some wonderful old quarters, where the crazy wooden houses of centuries back nod towards each other, in a general state of paralysis, across the dark and narrow streets. How they manage to stand at all, leaning upon one another for support, is a mystery; and why they don't sit down bodily upon their occupants is a subject of painful speculation to those good people. It is most interesting to wander in the nooks and corners of this solemn old city; and if the visitor loses his way in the narrow old streets, he may come unexpectedly upon some venerable remnant of antiquity. In many parts every turn reveals some splendid relic of bygone days, of an age of cross-bows, of processions headed by men-at-arms bearing naming braziers through the dark streets, of gallant companies of splendid dames, and flaunting cavaliers in slashed doublets, trunk hose, and inconveniently long swords, all flashing and clanking in the glare as they pass; of an age of night broils, when the clash of arms was heard beneath the dark tower, grated window, and overhanging eaves. Within that ancient palace, ploughed and seamed from gabled roof to the carved monsters on the balustrades beneath, with one rich mass of florid Gothic fretwork, armorial bearings, and quaint gargoyles, we might see the cruel Cardinal of Winchester pacing to and fro in the oak-panelled hall, fretting that the preparations in the square outside, for the burning of Jeanne d'Arc, were proceeding so slowly as to make him late for dinner.