With mortal flesh our five soft mouths we fill,
And in the winter to repletion feed;
If one of us be lost, the world's agreed
To treat the rest of us exceeding ill;
But if we all remain together, then
We do almost all that is done by men.
Mediocre, isn't it; tortured, bombastic, gross, all at once? There is
nothing here to make us fall into an ecstasy, and repeat to satiety,
as some highly refined courtiers used to do, "Ah, with what congruity
of terms are these thoughts expressed!"
I shall abandon the riddles at once. These two specimens are enough.
Another point:
Many physiologists affirm that great warriors have been remarkable
for a beautiful hand, which they loved perhaps to adorn with the most
delicate gloves. They instance Cyrus, Alexander, Cæsar, Charlemagne,
and Napoleon.
According to an historian of the First Empire, some generals
attending Bonaparte one day in his private room, found his big
military Gloves and his little hat on a side-table. Actuated by
curiosity, each one of them tried in turn the Glove and the hat; but
it appears there was not a single hand which could force its entrance
into those big Gloves, and upon those giants' shoulders not a single
head which could fill up the little hat.
Napoleon was, it is weil known, no less proud of his hand than Byron,
who, his biographer tells us, had a hand so small, that it was out of
all proportion with his face. Byron thought and wrote that nothing
characterised birth more than the hand; it was, according to him,
almost the sole index of aristocracy of blood.
Since the fifteenth century, we can trace in the museums of France,
Holland, Italy, Spain, and Germany, the interest which painters of
all schools have taken in the study of the hand, and, indeed, of
the Glove. Van Dyck and Rubens were passed masters in this art, and
Titian has left an admirable masterpiece in his /Young Man with
the Glove/. Velasquez almost always makes his powerful models hold
Gloves, nobly folded in their right hand. In Venetian paintings we
see the Glove on the hands of the Doge, of his wife, of ambassadors,
of senators, of residents, and even of merchants. The mere study
of the Gloves in these portraits and these costumes would suffice
for a long pamphlet, for we must consider the Glove in all classes
of society and in all epochs, from the embroidered Gloves of the
Doges to the special Gloves of the merchants, of the rectors of the
university of Padua, and even of the monks of the brotherhood of the
Cross, which were violet on a white ground, &c.
But it would be madness to endeavour to omit nothing in this
monograph of the Glove, a tentative work, and an unpremeditated
sketch of little pretension.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account