The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
=The Gothic Ghosts.= The Ghost is the real hero or heroine of the
Gothic novel. The merely human characters become for the reader
colorless and dull the moment a specter glides up and indicates a
willingness to relate the story of his life. The continuing popularity
of the shade in literature may be due to the fact that humanity finds
fear one of the most pleasurable of emotions and truly enjoys vicarious
horrors, or it may be due to a childish delight in the sensational.
At all events, the ghost haunts the pages of terror fiction, and
the trail of the supernatural is over them all. In addition to its
association with ancient superstitions, survivals of animistic ideas in
primitive culture, we may see the classical and Elizabethan influence
in the Gothic specter. The prologue-ghost, naturally, is not needed
in fiction, but the revenge-ghost is as prominent as ever. The ghost
as a dramatic personage, his talkativeness, his share in the action,
reflect the dramatic tradition, with a strong Senecan touch. The Gothic
phantoms have not the power of Shakespeare's apparitions, nothing
approaching the psychologic subtlety of _Hamlet_ or _Julius Cæsar_
or the horrific suggestiveness of _Macbeth_, yet they are related to
them and are not altogether poor. Though imitative of the dramatic
ghosts they have certain characteristics peculiar to themselves and are
greatly worth consideration in a study of literary supernaturalism.
There are several clearly marked classes of ghosts in Gothicism. There
is the real ghost that anybody can pin faith to; there is the imagined
apparition that is only a figment of hysterical fear or of a guilty
conscience; and there is the deliberate hoax specter. There are ghosts
that come only when called,--sometimes the castle dungeons have to be
paged for retiring shades; others appear of their own free will. Some
have a local habitation and a name and haunt only their own proper
premises, while others have the wanderlust. There are innocent spirits
returning to reveal the circumstances of their violent demise and to
ask Christian burial; we meet guilty souls sent back to do penance for
their sins in the place of their commission; and there are revenge
ghosts of multiple variety. There are specters that yield to prayers
and strong-minded shades that resist exorcism. It is difficult to
classify them, for the lines cross inextricably.
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