The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
death, but nothing that is a contribution to existing ignorance on the
subject. According to Judge Hatch, whose post-mortem pen-name is X, the
present war has its parallel in a conflict of spirits, and the astral
world is in dire confusion because of overcrowding, so that the souls
of the slain must go through torments and struggle with demons.
The most recent instance of psychography comes to us by way of the
ouija-board from St. Louis, the authenticity of which is vouched for
by Mr. Casper Yost, of the editorial staff of the _Globe-Democrat_.
But if the ouija-board dictated the stories and plays, giving the name
of Patience Worth as the spirit author, and if Mrs. Curran took them
down, why does Mr. Yost appear as the author? Patience Worth says
that she lived a long time ago. Mr. Yost insists that her language is
Elizabethan, but it seems rather a curious conglomeration, unlike any
Elizabethan style I am familiar with. She has written stories, lyrics,
a long drama, and other informal compositions, a marvelous output when
one considers the slow movements of the ouija-board. The communications
seem to have human interest and a certain literary value, though they
bring us no messages from the Elizabethan section of eternity.[171]
[171] Other examples of the books that claim to be inspired
by spirits are: _An Angel Message_, Being a Series of Angelic
and Holy Communications Received by a Lady; _Nyria_, by Mrs.
Campbell-Praed; _Letters from a Living Dead Man_, by Elsa
Barker, and _War Letters from a Living Dead Man_; _Stranger
than Fiction_, by Mary L. Lewis; _The Soul of the Moor_, by
Stratford Jolly; _Ida Lymond and Her Hour of Vision_, by Hope
Crawford; _The Life Elysian_; _The Car of Phoebus_; _The
Heretic_; _An Astral Bridegroom_; _Through the Mists_, _The
Vagrom Spirit_, and _Leaves from the Autobiography of a Soul in
Paradise_, by Robert James Lee. This last-named gentleman seems
to be in touch with spirits as rapid in composition as Robert
W. Chambers.
Automatic writing appears in _The Martian_ by Du Maurier, where the
spirit from Mars causes Barty Joscelyn in his sleep to write books
impossible to him in his waking hours. The type has been parodied by
John Kendrick Bangs in his _Enchanted Typewriter_, which machine worked
industriously recording telegraphic despatches from across the Styx.
The invisible operator gives his name as Jim Boswell. The writer states:
The substance of the following pages has evolved itself between the
hours of midnight and four o'clock, during a period of six months,
from a type-writing machine standing in a corner of my library,
manipulated by unseen hands.
It is astonishing how many ghosts are trying to break into print
these days. And after all, what do the poor things get out of it? No
royalties, scant praise, and much ridicule when their style fails to
come up to specifications.
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