The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
[246] In _The Dead Are Singing_.
Leonid Andreyev's striking play[247] might be mentioned as an example
from the Russian. King-Hunger, Death, and Old time Bell-Ringer, are
the principal actors, while the human beings are all deformed and
distorted, "one continuous malicious monstrosity bearing only a remote
likeness to man." The starving men are slain, but over the field of
the dead the motionless figure of Death is seen silhouetted. But the
dead arise, and a dull, distant, manifold murmur, as if underground, is
heard, "We come! Woe unto the victorious!"
[247] _King-Hunger._
But as I have said, these are literary dramas, impossible of
presentation on the stage, so that they are judged by literary rather
than dramatic standards. For the most part fiction is infinitely freer
in its range and choice of subjects from the supernatural than is the
drama. The suggestive, symbolic, mystic effects which could not in
any way be presented on the stage, but which are more truly of the
province of poetry, are used in prose that has a jeweled beauty and a
melody as of poetry. Elements such as invisibility, for instance, and
various occult agencies may be stressed and analyzed in fiction as
would be impossible on the stage. The close relation between insanity
and the weird can be much more effectively shown in the novel or short
story than in the drama, as the forces of mystery, the incalculable
agencies can be thus better emphasized. Ghosts need to be seen on the
stage to have the best effect, even if they are meant as "selective
apparitions" like Banquo, and if thus seen they are too corporeal for
the most impressive influence, while in fiction they can be suggested
with delicate reserve. Supernatural presences that could not be imaged
on the boards may be represented in the novel or story, as Blackwood's
Elementals or Psychic Invasions. How could one stage such action,
for instance, as his citizens turning into witch-cats or his Giant
Devil looming mightily in the heavens? Likewise in fiction the full
presentation of scientific supernaturalism can be achieved, which would
be impossible on the stage.
Public-domain text, read in full here on John Shaqi.
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