The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
The mistaken ghost is an old form, for most of Mrs. Radcliffe's
interesting apparitions belong to this class and others of the Gothic
writers used subterfuge to cheat the reader. In the early romance
there was frequently deliberate deception for a definite purpose, the
ghosts with the histrionic temperament using a make-up of phosphorus,
bones, and other contrivances to create the impression of unearthly
visitation. Recent fiction is more cleverly managed than that. Rarely
now does one find a story where the ghost-seer is deliberately imposed
upon, for in most modern cases the mistake occurs by accident or
misapprehension on the part of the percipient, for which nobody and
nothing but his own agitation is responsible. Yet there are occasional
hoax ghosts even yet, for example, _The Ghost of Miser Brimpson_,[74]
where a specter is rigged up as the scheme of a clever girl to win over
an obdurate lover, and _The Spectre Bridegroom_, which is a well-known
example of the pseudo-spook whose object is matrimony. _His Unquiet
Ghost_[75] is a delightful story of a fake burial to evade the revenue
officials. Watt, the "corp," says: "I was a powerful onchancy, onquiet
ghost. I even did my courtin' whilst in my reg'lar line o' business
a'harntin' a graveyard!" His sweetheart sobs out her confession of love
to "his pore ghost," an avowal she has denied the living man. Examples
of the apparitions that unwittingly deceive mortals are found in _The
Ghost at Point of Rock_,[76] where the young telegraph operator, alone
at night on a prairie, sees a beautiful girl who enters and announces
that she is dead,--how is he to know that she is in a somnambulistic
stupor, and has wandered from a train? Another is[77] a story where the
young man falls in love with what he thinks is a wraith of the water
luring him to his death, but learns that she is a perfectly proper
damsel whose family he knows. _The Night Call_[78] is less simple than
these, a problematic story that leaves one wondering as to just what is
meant.[79]
[74] By Eden Phillpotts.
[75] By Charles Egbert Craddock.
[76] By F. H. Spearman.
[77] _By the Waters of Paradise_, by F. Marion Crawford.
[78] By Henry Van Dyke.
[79] As Dr. Blanche Williams points out in her discussion of
the short story.
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