The Supernatural in Modern English FictionScarborough, Dorothy
History
The Supernatural in Modern English Fiction
Scarborough, Dorothy
English fiction -- History and criticism; Supernatural in literature
The ghostly touch is frequently described, not only in fiction but in
reports of the Psychical Society as well, as being of supernatural
chill or of burning heat. _Afterwards_[111] brings in the icy touch of
the spirit hand. In certain cases the ghost touch leaves a burn or mark
that never goes away.
[111] By Fred C. Smale.
Yet the touch of horror is not the only one introduced in fiction
of the supernatural. There are tender and loving touches as well,
expressing yearning love and a longing to communicate with the living.
What could be more beautiful than the incident in _They_? "I felt
my relaxed hand taken and turned softly between the soft hands of a
child. The little brushing kiss fell in the center of my palm--as gift
on which the fingers were _once_ expected to close--a fragment of a
mute code devised very long ago." And in a similar story,[112] the
woman says, "I will swear to my dying day that two little hands stole
and rested--for a moment only--in mine!" Wilkie Collins speaks of his
story, _The Ghost's Touch_, as follows:
The course of this narrative leads the reader on new and strange
ground. It describes the return of a disembodied spirit to
earth--not occurring in the obscurity of midnight but in the
searching light of day; neither seen as a vision nor heard as a
voice--revealing itself to mortal knowledge through the sense that
is least easily self-deceived, the sense that feels.
[112] _A Pair of Hands_, by Quiller-Couch.
The widow feels the clasp of her husband's hands, not only psychically
but physically, and when she asks for a further sign, the ghost kisses
her unmistakably on the lips. Another widow[113] feels her hand clasped
by the hand of her husband who has mysteriously disappeared after
having presumably absconded with trust funds--and knows that he is dead
and seeking to give her some message. His hand gently leads her to the
edge of the cliff where he has fallen over and been killed, so that she
may know the truth. The lover in Poe's _Eleonora_ feels a "spiritual
kiss" from the lips of his beloved. The ghost touch is an impressive
motif of strength in recent fiction and marks an advance over the
earlier forms, showing an access of imaginative power and psychological
analysis.
[113] In _Our Last Walk_, by Hugh Conway.
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