French fiction -- Translations into English; Short stories, French -- Translations into English
St. Bartholemew is a village in the Creuse, whose exact location I
abstain from indicating lest I disturb a peaceful community by calling
up unpleasant memories. St. Bartholemew is a village like any other. It
has its main street, with old sagging houses huddled one against the
other; here and there, the discordant note of a new building with
wrought-iron gateway and gateposts topped by cast-iron vases. There are
streets running at right angles, oozy with sewage, littered with manure,
where numerous chickens scratch for their living. There are little
gardens ornamented with bright shiny balls, reflecting people and
things, and making them look ugly at close range, beautiful in the
distance, even as our eyes do.
As far as I have ever been able to judge, the inhabitants of St.
Bartholemew differ in no wise from those of other villages. There, as
everywhere in the world, people are born, they live, and they die,
without knowing exactly why, and without arriving at any reasonable
explanation of the strange event. They seem, however, quite untroubled
by the difficulty of the problem. When they come into the world, their
first business is to lament. All their life long, they lament over the
labour involved in preserving their lives, but when it comes to dying,
they cannot make up their minds to it without lamentation! What bonds
hold them so closely to earth? Although "gifted with reason," they could
not tell you. What do they see beyond the fatal impulsion which sets men
at odds in a fierce struggle for life, the results of which seem
uncommensurate with the effort expended? They have no idea. Man comes
into collision with brutal fact, and can see nothing beyond a conflict
of interests. Three persons there are, having a direct action upon him:
the _curé_, the mayor, and the rural guard, whose injunction will bring
him to court.
The _curé_ is the purveyor of ideals appointed by the government. His
church, with its pictures, its gilded candlesticks, its tapers, and its
anthems, constitutes the only manifestation of art furnished by the
powers. It provides, in addition, a body of doctrine, texts, and
uplifting admonitions, the misfortune of which is, that although
everyone repeats them, no one pays any attention to them. The practice
of the cult seems to be the important thing. As to the precepts of which
that same cult is the support, everyone applies them to suit himself.
Gifts of money, a mechanical deathbed repentance, set the sinner on good
terms with the Master of the Beyond. With regard to the common events
of life, Lourdes and St. Anthony of Padua will attend to them for a
consideration.
Public-domain text, read in full here on John Shaqi.
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