French fiction -- Translations into English; Short stories, French -- Translations into English
Meanwhile, Abbé Mignot and Mother Rosalie continued happy in their music
and their friendship. I never knew Mother Rosalie, and will not invent a
psychology for her. We exchanged a few words on several occasions, and I
received the impression of a remarkably refined nature. Whatever I might
say beyond this would be drawn from my imagination. With regard to the
Abbé, the reader is as well qualified to judge him as I. Bound over to
continence by an adept in the reverse, he resigned himself to inevitable
fate, the cruelty of which he had recognized when it was too late.
Heaven, chance, or destiny had thrown a friendly soul in his path, a
prisoner of the same destiny. He surrendered to the delight of the
association, happy to come out of himself, to give a little of his life,
to receive something of a human life in return, and to feel his pleasure
shared. They did not conceal themselves, having nothing to conceal. This
seemed to them a safeguard, under the eyes of their brothers in
humanity.
The "scandal" lasted three months. One fine day, without warning, an
elderly, hunchbacked Sister descended from the coach, and having entered
the hospital, exhibited, along with her titles as the new "Mother," the
order to "Sister Rosalie" to return _within the hour_ to the convent.
Sister Rosalie bowed her head in submission, asked whether time would be
allowed her for one leave-taking, and upon receiving a negative answer,
retired to her chamber, "to pray and to obey." She came out with
faltering steps, and departed never to return.
The following day was Sunday. The event had been kept secret for the
sake of a more dramatic climax. When the priest, coming before the
altar, met the shock of the sardonic joy twisting the lips of the
hunchbacked Mother and her three acolytes in the charity of the Lord, he
fell a step backward, as if mocked by Satan himself. Pale, shaken, he
was unable to restrain the trembling of his lips. The thunderbolt had
struck. In the anguish of death he retained the appearance of life, and
must play the part of a living man. By an heroic effort he regained self
command. Violently the _Introit_ rang out, as if from depths beyond the
grave, and in it were mingled the tragedy of the man and of the God.
There was but one word at the end of mass:
"_Monsieur le curé_ made the pretty Mother sing too much. She has gone
away to rest."
Public-domain text, read in full here on John Shaqi.
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