French fiction -- Translations into English; Short stories, French -- Translations into English
Three or four nests among the rafters became in time a whole aviary, for
the young birds, returning the following year, often selected their
birthplace as a home. There they reared their family. At first peep of
dawn, the father from outside and the mother from inside begged to have
the window opened. They met each other with expressions of delight and
flew skyward in quest of the supply of insects imperiously demanded by
the noisy and hungry nestlings. As soon as the successful hunter
appeared, and before he could fairly get his claws into the earthen
parapet, six gaping throats were outstretched to catch the prey. This
business filled the day. A newspaper, spread on the floor, received all
incongruous happenings. In the evening, when the lamp was lighted, we
were sometimes startled by a sudden outburst of quarrelling up among the
rafters. It might be that a small bird was out of his customary place,
and was beginning his apprenticeship in life by defending his rights,
as well as he could, against the selfish infringements of an
enterprising brother. A muffled call from the mother stilled the tumult,
and fear of punishment brought the children back to moderation, or
perhaps resignation. And then autumn took on the sharpness of winter,
and all the swallows, assembled on the summit of a neighbouring elm,
held a great council of departure. They talked the whole day. But their
discussion, unlike ours, was a preface to action. They started before
sunrise of the day after. Sadly their old friend bade them farewell:
"Go, my dear ones, you intend to come back, but the time is not far when
I shall no longer be here to open the window at your home coming!" The
swallows still return. But for a long time, a very long time, the window
has not been opened.
Alas! the loveliest part of the setting has likewise disappeared. The
white dome of the fountain, with its rosy colonnade, has been broken up,
and replaced by a hideous rockery in the style of Chatou. The seemly
classic rectangular flower beds, with their severe arrangement, have
made room for a wide lawn dotted with artistic plots of shrubbery. The
long arbour and the Judas trees have blazed in the fireplace on winter
evenings. But, near or far, imagination can restore them. I find myself
walking through twisted underbrush to spy upon domestic scenes in nests.
I have retained a particularly vivid memory of the tragedy which
revealed to me for the first time the distressing vicissitudes of the
struggle for life.
Public-domain text, read in full here on John Shaqi.
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