French fiction -- Translations into English; Short stories, French -- Translations into English
Better still, I once knew--it is now more than fifty years ago--a
wonderful garden, in part cultivated, in part allowed to follow the
fancies of vegetation running wild, where two old people, of beloved
memory, used to walk and take their last pleasures as life neared its
close. A large, typically French garden, with symmetrical flower beds
bordered with box. A long arbour formed a wall at the farther side, and
had at each end a circular bower, bright in springtime with the rosy
blaze of Judas trees. In the centre was a fountain covered by a high
white dome upheld by three slender Ionic columns, delicately mottled
with rose-coloured lichens. At the summit of the dome the sculptor had
carved a vase of formal shape, from which sprang a sheaf of flowers that
took from the mosses overgrowing it an appearance of life. Under the
arch was a bird with spread wings, bearing the motto of the former
masters of the domain, whose name you will find in Hozier: "Altiora
contendimus omnes." The monument dated from the end of the 16th century.
Its remains, scattered in "artistic ruins," now decorate an ornamental
grove.
Never was a spot less disturbed by the activities of the world, nowhere
was solitude more calculated to win man from his fellows and leave him
to the companionship of trees and animals. Beyond the arbour lay a
meadow, a brook, woods. No human habitation anywhere near. Peace--the
great peace of nature. Sheltered by the high wall, animals lived happy
and unafraid of man, from whom they received only kindness. I can
remember goldfinch nests among the rose bushes within reach of my hand.
I was early taught to touch them only with my eyes.
In her very bedroom, the lady of the manor gave shelter to swallows.
Traces of nests may still be seen on the great rafters of the ceiling.
In spring, one day at dawn, the travellers, arriving from their great
journey, would come tapping with beak and claw at the high windows. The
aged dame would immediately rise and let in her friends. Greetings would
ensue--enthusiastic greetings after the long separation. Three or four
birds, sometimes half a dozen, would wheel about the vast chamber, with
little sharp cries expressing joy in their return and their hospitable
reception. They perched on the great wardrobes, and twittered for
happiness, their little ruby throats swelling below their black hoods.
All day long they came and went. Soon, one might see a swallow drop on
to the water of a trench, and rest there with wings outspread, then rise
into the air, and gather on her wet feathers the dust of earth needed to
make mortar for her nest. Then began the work of masonry. The
basket-shaped wall rose quickly, formed of thin layers of clay, one
above another, and as soon as the nest was finished, an indentation
fashioned in the edge by the dainty black beak informed one that the
laying of eggs had begun.
Public-domain text, read in full here on John Shaqi.
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