French fiction -- Translations into English; Short stories, French -- Translations into English
As her fame spread beyond the borders of the canton, Flower o' the Wheat
had a throng of admirers such as had not been seen for many a day in our
neighbourhood. The pride of it shone in her eyes, dazzled by their own
attractiveness, and if she had been told of Cleopatra on whom was
centred the gaze of the world, it is not certain that she would have
thought the Egyptian queen had an advantage over the country maid. For
which I praise her, for enumerating a multitude of adorers is a foolish
pastime. Moreover, the queen was dead and the peasant girl alive: the
best argument of all.
The delightful part of the story is that Flower o' the Wheat, while
permitting herself to be admired by every man, and envied by every
woman, kept her heart faithful to the friend who had known how to win
it, in which she differed notably from Cleopatra. Now, that friend, for
I must finally come to my confession, was none other than your humble
servant. I may be pardoned the pride of that avowal: I loved Flower o'
the Wheat, and Flower o' the Wheat entertained sentiments for me which
she was not in the least loth to exhibit. I used to follow her about the
fields with her dog, "Red Socks," so called because of his four tawny
paws, and while the flock browsed very improperly beyond the limit set
by the rural guard, I told her all about Nantes, where I had spent the
winter. I amazed her with tales from my books, or else she talked to me
about animals, what they did, what they thought; she told me
extraordinary stories. Our souls were very near to each other, I will
not say the same of our hearts, for the sad part of our love was, alas,
that she was twenty and I was six--or seven, if I stood on tiptoe. This
did not make it difficult for either of us, however, to hug the other.
It was only later that I realized my misfortune.
Our best days were at harvest time. The abominable smoke of the
threshing machine had not yet invaded the countryside. The flail was
still in use. At dawn, men and women divided into groups would begin the
round of the threshing floor, their motions accompanied by the rhythmic
thud of the wooden flail, muffled by the straw on the ground; one half
of the quadrille would slowly retreat, while the other half gradually
advanced. The necessity for attention, and the sustained effort, obliged
them to be silent. But what a reaction of laughter and song when the
wooden pitch forks came into play, stacking the straw! Noonday would see
the ground strewn with harvesters taking their rest in the full glare of
the sun, for the peasant fears the treacherous shade. Upon the stroke of
a bell, the noisy concert of the flails would again fill the air on
every side.
Public-domain text, read in full here on John Shaqi.
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