The Surrender of Calais: A Play, in Three ActsColman, George
History
The Surrender of Calais: A Play, in Three Acts
Colman, George
Calais (France) -- History -- Siege, 1346-1347 -- Drama
_O'Carrol._ Troth, lady, one honest potatoe in a garden is worth an
hundred beds of your good-for-nothing tulips. Oh! 'tis meat and drink
to me to see a friend! and, truly 'tis lucky, in this time of famine,
to have one in the house to look at, to keep me from starving. Little
did I think, eight years ago, when I came over among fifty thousand
brave boys--English, Irish, and else,--to fight under King Edward,
who now lies before Calais here, that I should find such a warm soul
towards me in a Frenchman's body;--especially when the business, that
brought me, was to help to give his countrymen a beating.
_Julia._ Thy gratitude, O'Carrol, has well repaid the pains my father
took in preserving thee.
_O'Carrol._ Gratitude! fait, madam, begging your pardon, 'tis no such
thing; 'tis nothing but showing the sense I have of my obligation.
There was I, in the year 1339, in the English camp--on the fields of
Vianfosse, near Capelle--which never came to an action; excepting a
trifling bit of skirmish, in which my good cruel friends left me for
dead out of our lines; when a kind enemy--your father--(a blessing on
his friendly heart for it!) picked me up, and set the breath agoing
again, that was almost thumped out of my body. He saved my life; it is
but a poor commodity;--but, as long as it lasts, by my soul! he and his
family shall have the wear and tear of it.
_Julia._ Thou hast been a trusty follower, O'Carrol; nay, more a friend
than follower; thou art entwined in all the interests of our house, and
art as attached to me as to my father.
_O'Carrol._ Ay, troth, Lady Julia, and a good deal more; more shame to
me for it; because I am indebted for all to the Governor. I don't know
how it may be with wiser nations, but if regard is to go to a whole
family, there's a something about the female part of it that an
Irishman can't help giving the preference to, for the soul of him.
_Julia._ But, tell me, who is with my father?
_O'Carrol._ Indeed that I will not--for a reason.
_Julia._ And what may the reason be?
_O'Carrol._ Because, long before he arrived, you bid me never mention
his name. It may be, perhaps, the noble gentleman who has just succoured
the town.--Well, if I must not say who is with my master, I may say who
my master is with.--It is the Count Ribaumont.
_Julia._ Why should I tremble at that name? Why should my tongue be now
constrained to speak the language of my heart? O father! father!
_O'Carrol._ Och--ho!
_Julia._ Why dost thou sigh, O'Carrol?
_O'Carrol._ Truly, madam, I was thinking of a piece of a rich old uncle
I had in Ireland; who sent me to the French wars, to tear me away from
a dear little creature I loved better than my eyes.
_Julia._ And wast thou ever in love, O'Carrol?
_O'Carrol._ That I was, faith, up to my chin. I never think upon it but
it remembers me of the song that was wont to be played by honest Clamoran,
poor fellow, our minstrel, in the north.
Public-domain text, read in full here on John Shaqi.
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