British -- France -- Fiction; Humorous stories; Riviera (France) -- Fiction; Spouses -- Fiction
"To blow us all up? Oh! I don't think we are worth that. No
celebrities on board to-day. Are you going all the way to the
Riviera? You look so tired. Recovering from influenza? So tedious.
Pray let me help you all I can."
In spite of her civility there was something repellant to Ermengarde
in this young woman, a preoccupation, a reticence, that she
mistrusted. Surely that voice was familiar, and the face too; she
must have met her, though quite at a loss to say where or when. But
at her question on this point there was a brief negative and a sudden
retreat from the first cold, calculated approach to friendliness.
The face became an utter blank, and vanished behind a periodical.
The train flew; the hairy-faced Nihilist had ended his discussion
with the conductor, and was standing in the corridor by a window,
surveying the flying landscape and plunged in meditations, dark and
evil, no doubt, and probably hatching villainous schemes for the
destruction of society. People went up and down the corridor,
brushing and stumbling over her skirts, mistaking their compartments,
and alternately losing and finding, after much tumult, friends, bags,
caps, smoking and restaurant cars. And this was to last all the way
to Paris.
The man of mystery might as well let off his infernal machine at
once, and have done with it; the slip-seat was narrow, the train
rocked as it flew, and Ermengarde, aching wherever it is possible for
humanity to ache, felt as if she was breaking in halves at the waist.
But what was her surprise and pleasure in the misery of this dark
moment to hear a respectful voice at her ear requesting madame to be
kind enough to take possession of a forward compartment to Paris in
the next carriage, and to find herself at last, as if by enchantment,
in the identical state-room of her dreams and the International
Sleeping Car Company's pictured advertisement, with its private
dressing-room, its airy space, its slip-seat under the
window--"should the passenger desire to change position"--and, better
still, the whole compartment to herself, but _jusqu' à Paris_ only.
What bliss to sink upon the deep, springy seat, to cast aside heavy
coat, furs, and hat; and close tired eyes for a moment, and then open
them and see the flying foreign landscape, chill, bleak, powdered
with snow, and bounded by sea, as they drew near Boulogne!
Public-domain text, read in full here on John Shaqi.
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