British -- France -- Fiction; Humorous stories; Riviera (France) -- Fiction; Spouses -- Fiction
The winged steeds were no longer yoked to the cars; they must have
vanished long since with the darkness; the train moved more and more
slowly. That it should gradually slacken speed to a crawl through
all this magical beauty was natural; but that it should actually
stop, like common trains in regions of prose, for people to get out,
claim luggage and pay porters, was amazing, especially as that first
superb colonnade of date-palms was seen to rise behind one of these
stations--perhaps Cannes? True, they were not stations in the
ordinary sense, but rather pleasant places of pause, where leisurely
persons of distinguished bearing and immaculate attire, gold-braided,
button-booted, and black-kid-gloved, enjoyed the amenities of a life
devoid of care, incidentally remembering from time to time to bestow
a kindly and condescending courtesy upon wanderers descending
casually from the train of luxury, that was now enjoying a beautiful
calm in singular contrast to its wild stir at starting and headlong
rush through the night.
Sometimes, after a long and apparently purposeless pause at one of
these clean and sunny spots, an idea seemed to occur to an
immaculately dressed lounger and interrupt the gentle current of his
chat, if his roving glance happened to be caught by the cars. "There
is a train," he seemed to say to himself; "perhaps something might as
well be done with it."
Then, after a little silent meditation and some smiling interchange
of thoughts with an acquaintance, he would move leisurely towards the
cars, and indicate by a slight, but graceful, gesture that the pause
was at an end. Then the journey would be gently resumed, through a
land of rich-hued blossom and glowing green, with solemn mountain
steeps rising on the one hand, and the vast blue radiance of a dark
blue sea breaking in soft and soundless foam on many a purple,
enchanted headland, and in many a sunny bay, on the other.
All the glamour of Shelley's ethereal poetry seemed to breathe and
sing from that glorious sea, which Homer compared to wine in its
depth of colour. All Shelley's seas are Mediterranean, and most of
Byron's, while Keats and Tennyson, Coleridge and Matthew Arnold, for
the most part love the paler grey-blue and more frequent foam of
Northern shores.
Vainly did the woman of mystery remind Ermengarde that she had not
breakfasted; she was feasting with gods; she needed no meaner
sustenance; even the shadow of the man of mystery passing her door,
and glaring insolently through his detestable goggles upon her rapt
face, scarcely annoyed her, except as a momentary eclipse of some
lofty headland running out into the happy morning sea. She had even
forgotten that she had slept, not only in, but upon, her hat, a
really successful creation from Bond Street.
Public-domain text, read in full here on John Shaqi.
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