The Swastika, the Earliest Known Symbol, and Its Migration: With Observations on the Migration of Certain Industries in Prehistoric TimesWilson, Thomas
Religion
The Swastika, the Earliest Known Symbol, and Its Migration: With Observations on the Migration of Certain Industries in Prehistoric Times
Wilson, Thomas
Industries, Primitive; Swastikas; Symbolism
[173] See p. 795.
[174] Matériaux pour l'Histoire Primitive et Naturelle de l'Homme, XVIII,
p. 14.
[175] Athenic vases painted by Andokides, about 525 B. C., represent the
dress of the goddess, ornamented with Swastika and _Croix swasticale_. Am.
Journ. Archæol., January-March, 1896, XI, No. 1, figs. 9, 11.
[176] "Grammar of the Lotus," pp. 348, 353.
[177] "Cyprus, its Ancient Cities, Tombs, and Temples," pl. 45, fig. 36.
[178] "History of Art in Phenicia and Cyprus," II, p. 302, fig. 239.
[179] "Ceramic Art in Remote Ages," pl. 42, fig. 2.
[180] "Troja," p. 123.
[181] "Ceramic Art in Remote Ages," frontispiece, fig. 3, and p. 115.
[182] Matériaux pour l'Histoire Primitive et Naturelle de l'Homme, 1881,
XVI, p. 416.
[183] Another Rhodian vase, similar in style, with Swastikas, is shown in
the "Grammar of the Lotus," pl. 37, fig. 4.
[184] G. Hirschfield, "Vasi archaici Ateniesi," Annali dell' Instituto di
corrispondenza archæologica, 1872, Tav. d'Ag. K. 6, 52.
[185] Bull. Soc. d'Anthrop., Paris, 1888, pp. 674-675.
[186] Ibid., p. 675.
[187] "Salaminia," p. 240, fig. 226.
[188] Aphrodite = Phenician Ashtoreth, Astarte = Babylonian Ishtar.
[189] See p. 773.
[190] Archæologia, XLVIII, pt. 2, p. 305.
[191] Bull. Soc. d'Anthrop., Paris, 1888, p. 679.
[192] "Cities and Cemeteries of Etruria," I, p. 69.
[193] Ibid., II, p. 457.
[194] Annali dell' Instituto, Rome, 1871, pp. 239-279; Bulletino
Instituto, Rome, 1871, pp. 31-52; Pigorini and Sir John Lubbock, "Notes on
Hut Urns and other objects from Marino," London, 1869; Virchow, "Die
Huttenuruen von Marino," Berlin, 1883.
[195] "Troja," p. 122.
[196] "Cities and Cemeteries of Etruria," I, p. lxxxix.
[197] "La Migration des Symboles," p. 67.
[198] See p. 786.
[199] "Ilios," p. 352.
[200] There are bronze hatchets from Italy, with Swastikas in intaglio and
in relief, in Musée St. Germain. De Mortillet, "Musée Préhistorique,"
figs. 1153, 1154.
[201] "Lake Dwellings," pl. 161, figs. 3, 4.
[202] "Age du Bronze," pt. 2, figs. 53-55, p. 195.
[203] Zeitschrift für Ethnographie, Berlin, 1871 and 1876.
[204] Coll. Majlath Bela; Hampel, "Antiquités Préhistoriques de la
Hongrie;" Erztergom, 1877, pl. 20, No. 3.
[205] Hampel, "Catalogue de l'Exposition des Musées des Provinces,"
Budapest, 1876, p. 17; Schliemann, "Ilios," p. 352.
[206] Matériaux pour l'Histoire Primitive et Naturelle de l'Homme, 1884,
pp. 14, 120.
[207] "Old Northern Runic Monuments," pt. 3, p. 407.
[208] Proceedings of the Eighth Session, I, pp. 457-460.
[209] Du Chaillu, "Viking Age," I, fig. 335.
[210] "Ceramic Art in Remote Ages," pl. 43, fig. 11; "Viking Age," II,
fig. 1311; Englehardt, "L'Ancien Age de Fer." fig. 28.
[211] Du Chaillu, "Viking Age," I, fig. 379.
[212] "Ogam Inscribed Monuments," p. 359, pl. xlix.
[213] Ibid., p. 358, pl. xlviii.
[214] Greg, Archæologia, XLVIII, pt. 2, pl. 19, fig. 27.
[215] "La Migration des Symboles," p. 49.
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