D'Alviella[76] presents several figures in support of his contention. The first (_a_) is on a fibula from Etruria (fig. 190 of this paper). His explanation is that the small circle of rays, bent at right angles, on the broad shield of the pin, represents graphically the rotary movement of the sun, and that the bent arms in the Swastikas on the same object are taken from them. It seems curious that so momentous a subject as the existence of a symbol of a great god, the god of light, heat, and thus of life, should be made to depend upon an object of so small importance. This specimen (fig. 190) is a fibula or pin, one of the commonest objects of Etruscan, Greek, or Roman dress. The decorations invoked are on the broad end, which has been flattened to protect the point of the pin, where appears a semicircle of so-called rays, the two Swastikas and two possible crosses. There is nothing about this pin, nor indeed any of the other objects, to indicate any holy or sacred character, nor that any of them were used in any ceremony having relation to the sun, to any god, or to anything holy or sacred. His fig. _b_ is fig. 88 in this paper. It shows a quadrant of the sphere found by Schliemann at Hissarlik. There is a slightly indefinite circle with rays from the outside, which are bent and crooked in many directions. The sphere is of terra cotta; the marks that have been made on it are rough and ill formed. They were made by incision while the clay was soft and were done in the rudest manner. There are dozens more marks upon the same sphere, none of which seem to have received any consideration in this regard. There is a Swastika upon the sphere, and it is the only mark or sign upon the entire object that seems to have been made with care or precision. His third figure (_c_) is taken from a reliquaire of the thirteenth century A. D. It has a greater resemblance to the acanthus plant than it has to any solar disk imaginable. The other two figures (_d_ and _e_) are tetraskelions or ogee Swastikas from ancient coins.